stan mack (@realstanmack) 's Twitter Profile
stan mack

@realstanmack

cartoonist, author of Taxes, the Tea Party and Those Revolting Rebels: A Comics History of the American Revolution, and Janet & Me, a memoir

ID: 48523859

linkhttp://stanmack.com calendar_today18-06-2009 23:00:09

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637 Following

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i started to talk with this young woman about the risks of being genderqueer in the south. turns out it was the least of her concerns. i did this strip before the tragedy of uvalde, which gives it a horrifying new dimension.

i started to talk with this young woman about the risks of being genderqueer in the south. turns out it was the least of her concerns. i did this strip before the tragedy of uvalde, which gives it a horrifying new dimension.
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tired of existential dread? take a brief journey with my cartoon strips back to the ad world of the '80s where your main concern might be finding an actress whose lips please the client.

tired of existential dread? take a brief journey with my cartoon strips back to the ad world of the '80s where your main concern might be finding an actress whose lips please the client.
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the early '80s was a golden age of spending on tv commercials. this shoot also included a rope bridge, a bed of nails, and an eagle that got loose. (rest assured, george survived. if he hadn't, i'd have covered it.)

the early '80s was a golden age of spending on tv commercials. this shoot also included a rope bridge, a bed of nails, and an eagle that got loose. (rest assured, george survived. if he hadn't, i'd have covered it.)
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before google docs, dropbox, wetransfer, there were human messengers on foot and bike, carrying our work between studio, stat house, typographer, retoucher, agency, and client. the circulatory system of our business.

before google docs, dropbox, wetransfer, there were human messengers on foot and bike, carrying our work between studio, stat house, typographer, retoucher, agency, and client. the circulatory system of our business.
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sean kelly, a writer of lethal wit whom i met at the national lampoon, died this week. sean's words always leapt out with their precision, originality, and comic flourish. just ask his kids. 'the acrid smell of burning bridges.'

sean kelly, a writer of lethal wit whom i met at the national lampoon, died this week. sean's words always leapt out with their precision, originality, and comic flourish. just ask his kids. 'the acrid smell of burning bridges.'
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it was 1984, the game was irony, and it was afoot. here, in the guise of cartoon characters, sean kelly describes his latest book to me. (see the obit on sean in today's new york times.)

it was 1984, the game was irony, and it was afoot. here, in the guise of cartoon characters, sean kelly describes his latest book to me. (see the obit on sean in today's new york times.)
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cartoonists usually have some idea where their story is going. reporting in real time for my adweek series, i never knew where the punchline would come from.

cartoonists usually have some idea where their story is going. reporting in real time for my adweek series, i never knew where the punchline would come from.
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occasionally i did a real life funny that moved the needle of humanity forward not at all. (google 'rodents on turntables.')

occasionally i did a real life funny that moved the needle of humanity forward not at all. (google 'rodents on turntables.')
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given the casual corruption of two of the current supreme court crowd, i looked into one of the reasons why they're so untouchable. thenation.com/article/politi…