Cinematographer Gordon Willis with a legendary 8-year run: 1971 - Klute 1972 - The Godfather 1973 - The Paper Chase 1974 - The Parallax View 1974 - The Godfather: Part II 1976 - All the President's Men 1977 - Annie Hall 1978 - Interiors 1979 - Manhattan + 5 more films #respect

It's because instead of using LIGHT PANELS like 99% of other red carpets, Vanity Fair decided to use an array of SINGLE-SOURCE lights! Just like the sun is a single source light - so are these.

Francis Ford Coppola discusses how he ended up making The Godfather (1972): "There's a story I love to tell about this movie, because it's a true story. It's really sort of uncanny. All my film school buddies and I had moved to San Francisco to try to be independent. We wanted

This was a 2 line prompt in seedance 2. If the hollywood is cooked guys are right maybe the hollywood is cooked guys are cooked too idk.

‘People keep reinventing the same damn movie’: cinematographer Roger Deakins on 50 years behind the camera and his fears for film’s future: theguardian.com/film/2026/feb/…

Aujourd'hui je vois pour la première fois depuis 4 ans des séquences qui me convainquent à 100% que plus rien ne sera comme avant. Qu'on le veuille ou non.

we're in this weird liminal moment where people are starting to talk *to* their AI instead of just using it. like the shift from search engines to conversation partners happened so fast that half the world hasn't noticed yet. i keep seeing threads where someone's clearly having

AIが復元した「清明上河図」に言葉を失う。確かに、AI特有の「滑らかすぎる質感」に違和感を覚える瞬間もある。だが、張択端が描こうとした千年前の喧騒が、圧倒的な解像度で迫ってくるのも事実だから、これは模写ではない。AIという異質なフィルターを通すことで、われわれは初めて「大宋」の熱気に触

We love how clever this AI short film, “But AI Will Never Be Able to Do This,” is. Alex Patrascu made it with Seedance 2.0 and CapCut, and instead of hiding the quirks of AI tools, he leans into them and builds the satire around those limitations before letting it expand into

We don't talk enough We should open up Before it's all too much Will we ever learn? We've been here before It's just what we know Now, when the Earth, humanity, and even the future itself feel broken, "Project Hail Mary" is a must-see comeback movie 🚀🛸 #ロッキー 🫶👍😍

I've spent the last three years deep in the AI creative space, exploring the tools, experimenting, figuring out what's possible. It's been fascinating and I've learned a lot and I’ve enjoyed sharing my work and approaches to using AI. But I've been thinking for a while about how

Midjourney V8 alpha came out last night. A lot of people seem disappointed, but I suspect this has more to do with prompting habits than with the model itself. Many expected Midjourney to become something like Nano Banana with a "Midjourney aesthetic filter" on top. I doubt that

Steven Spielberg on the Importance of Studying Classic Films & how he made his children watch B&W movies, despite their reluctance.

So. Yesterday I received a DM on Instagram from a very prominent director. Mostly known for animated movies, and someone who rose to fame in the 90s with one of the highest-grossing films of all time. Here was the message: “The short film is terrific. I would love to learn more

Ok, first impressions of Project Hail Mary: There couldn’t be a better, more faithful visual re-telling of the book imaginable. It’s really quite beautiful and very moving when it’s supposed to be and hilarious and exciting all the other times. But the visuals! It leaps off the

It’s funny. Last few days, besides the few morons saying I was lying about something I have absolutely no reason to lie about, a lot of you also told me: “Don’t share your process, they’ll rob you blind.” I hear you, and thanks for the concern, but if you’re clinging to

“Andre Kertesz has two qualities that are essential for a great photographer: An insatiable curiosity about the world, about people, and about life, and a precise sense of form.” Brassai.

A huge part of getting good at anything is simply making a lot of stuff. I mean volume. Repetition. Doing things over and over again. Especially when you’re starting out, you think the people who are good must have found some secret. Like they’re more talented, or more

Making a movie is so tangible and physical. Your feet hurt. Your hair gets too long. Your jeans develop character (holes). For months you are together as a crew (what a crew!) until you become a unit. Releasing a movie on the other hand is completely abstract. You get an email