Laura Jane (@laurajanesocial) 's Twitter Profile
Laura Jane

@laurajanesocial

ID: 708013007201300480

calendar_today10-03-2016 19:33:49

6,6K Tweet

1,1K Followers

2,2K Following

kenzie | still at miami eras in my mind (@kenziesversion) 's Twitter Profile Photo

nobody: my brain: ELIZABETH TAYLOR i ain’t gotta knock on wood to keep it 100 on the land, the sea, the sky tone deaf and hot let’s f-ing OFF HERRRRR like a toy chihuahua barking at me from a tiny purse you can call me honey if you want oOh OH OH OH mmmmmm know a hard rock

ellie 🫶🏼 is a tortured poet (@ellie_elizabet) 's Twitter Profile Photo

🍬sweetie🍬 🫵🏼its yours🫵🏼 🚪kicking in doors🚪 🙇🏻‍♀️take it to the floor🙇🏻‍♀️ ❤️‍🔥gimme more❤️‍🔥 🎨buy the paint 🎨 👀in the colour of your eyes👀 🌍and graffitti my whole damn life🌍 🍯honey🍯

Chris (@huffleboy) 's Twitter Profile Photo

Showgirl is a classic Taylor Swift album in the sense that every song is catchy and has a pretty simple pop structure but underneath there’s some truly excellent writing and storytelling if you’re paying attention

Laura Jane (@laurajanesocial) 's Twitter Profile Photo

I feel like they must have some insight into what the technical challenge is because they always seem to produce something close to what’s expected from little to no instructions???? #GBBO

Emilee Honey 📚 (@emhoneyreads) 's Twitter Profile Photo

Reading isn’t about the amount of books you finish. It isn’t about keeping up with the most trendy books, or the best sellers. Reading is about finding comfort in an escape. It’s about doing something you love.

cinesthetic. (@thecinesthetic) 's Twitter Profile Photo

The iconic ballroom shot in Beauty and the Beast (1991) is still jaw-dropping. James Baxter hand-animated Belle and the Beast entirely on his own - at just 24 years old - while the CG team built the sweeping digital ballroom around them.

old toons (@oldtoons_) 's Twitter Profile Photo

It's magical what they could do with just pencils. Cinderella (1950) pencil test of the dress transformation. Character animation by Marc Davis, effects animation by George Rowley.