James Nethery Animation (@jtnanimator) 's Twitter Profile
James Nethery Animation

@jtnanimator

Co-Creator of The Chronicles of @Clenchport with @Imagine2Create. Atlanta-based #ToonBoom animator, director, and rigging artist. Views expressed are my own.

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linkhttps://linktr.ee/jtnanimator calendar_today27-06-2011 01:52:18

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James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

AlexaDoodles✨Available for Work! In hand drawn, you would add breakdown drawings and then chart a scene, showing what the timing and spacing should be before it’s handed off to an assistant.

<a href="/alexa_doodles/">AlexaDoodles✨Available for Work!</a> In hand drawn, you would add breakdown drawings and then chart a scene, showing what the timing and spacing should be before it’s handed off to an assistant.
James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

AlexaDoodles✨Available for Work! For rigged animation, you do the same thing. You have to tell the software exactly what you want in order to get good results. You add breakdowns and favors and eases and don’t just accept the crummy first pass result the software gives you. You are still the one in control.

James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

AlexaDoodles✨Available for Work! TL:DR: animation using rigs is anything but “automated”, despite what certain “animation experts” may claim. You have to think and work like an animator and use the same exact principles of animation that exist in hand drawn to get good or even halfway decent results.

James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

AlexaDoodles✨Available for Work! Here’s another good example of well done rigged animation, done in Moho! I wonder how many of the self proclaimed “animation experts” who claim that rigged animation always “looks inferior” to hand drawn knew how much of this movie was made using rigs. youtu.be/eyvqdcGGing?si…

James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

AlexaDoodles✨Available for Work! More very lively rigged animation. It’s all great but check out the stuff around 1:30. It’s very dynamic, everything that rigged animation supposedly “can’t do”. You aren’t just setting a couple of keys and hitting “tween” with this sort of show. youtu.be/70aTFFxIox8?fe…

James Nethery Animation (@jtnanimator) 's Twitter Profile Photo

Riding the #FlixBus home today so of course I have this amazing Sbassbear song on repeat. These Game Grumps remixes never fail to make me crack up. youtu.be/jW9HMpCE7xM?si…

The Sunflower Club Indie Animation (@sunflowerclub_) 's Twitter Profile Photo

‼️THE NEXT #IndieAnimationDay IS NOVEMBER 16TH!! ‼️ ONE MONTH AWAY!! What will you be sharing the next IAD or what are you excited to see? 👀💛

‼️THE NEXT #IndieAnimationDay IS NOVEMBER 16TH!! ‼️

ONE MONTH AWAY!!

What will you be sharing the next IAD or what are you excited to see? 👀💛
EtheringtonBrothers (@etheringtonbros) 's Twitter Profile Photo

Today's feature tutorial/artist is another AMAZING animation example by the BRILLIANT Toniko Pantoja! Here we see how adding OVERSHOOT gives a natural FLOW and BOUNCE to even tiny motions! #animation #animationdev #gamedev #animate #cartoons #anime #manga #conceptart #drawing

Aaron Long (@aalong64) 's Twitter Profile Photo

glad Coyote vs Acme will come out, but I still don't get why so many people online only talked about The Day The Earth Blew Up as a bargaining chip, like "fiiine we'll go see this one because then maybe they'll release the other one"

Toon Boom Animation (@toonboom) 's Twitter Profile Photo

It's time to say hi to Harmony 25 & Storyboard Pro 25 This release introduces powerful new tools supporting every stage of the production process. @Doodles and Golden Wolf partnered with us by providing demo assets from Dullsville and the Doodleverse. hubs.ly/Q03rsck30