Chatted to Ed McVey and Luther Ford about playing William & Harry in the final season of The Crown, for i-D: i-d.vice.com/en/article/z3m…

A story about language revitalisation, and doing for what is best for your children. thespinoff.co.nz/atea/17-12-202…

this is the best of the latest actors on actors because Greta Lee is being such a silly goose, which in turn brings out Andrew Scott's silly gooseness. vibes are immaculate. 11/10 youtube.com/watch?v=VqYl-C…

can safely say this was a career high

All of Us Strangers filmmaker Andrew Haigh chats with George Fenwick for Journal about writing tender sex, filming euphoric club scenes and revisiting his childhood home— and Andrew Scott and Paul Mescal drop by, too. boxd.it/1Sc

1+1+1 (It Ain't Two) by K'lee, without question

i am losing my mind over the framing in this variety story. Glazer's words were not "difficult to decipher". His message was clear, accurate and essential variety.com/2024/film/awar…

this is always framed as an 'ongoing debate' but the only people still asking about it are British journalists over 50 whose favourite film is the greatest showman deadline.com/2024/03/will-a…

Yes you Cannes! Say hi if you see me, flynn slicker or George Fenwick on the Croisette (and reach out if you want to work together!)

blessed to be going back to cannes this year with the best team Ella Kemp flynn slicker ❤️‍🔥

The Letterboxd crew met Kore-eda 🧡💚💙

As the Letterboxd ratings curve for Megalopolis reflects the skyscrapers of ‘New Rome’, George Fenwick tries to make sense of the divisive first responses out of Cannes to Francis Ford Coppola’s mammoth passion project. boxd.it/222

I bet her inbox is full of emails from her constituents asking about ambulance wait times and the quality of housing in Canterbury and yet she's hunched over a Dell laptop tweeting about children hundreds of miles away and calling for the return of section 28 lol

Beautiful, beautiful work from George Fenwick who got a rare audience with legend Jane Campion about her work, life, free film school and more:

a pinch-me career moment: spoke to Jane Campion about Wuthering Heights, colonial concepts of land possession in 19th century New Zealand, and why she’s determined to remove financial barriers for her film students. A legend!