nafn (@fathanninlayson) 's Twitter Profile
nafn

@fathanninlayson

Film MA Grad, Pasolini stan, and vegetarian sausage connoisseur -Interests are Marxist Film Theory, Capitalist Realism, Hauntology and neoliberal cinema. He/Him

ID: 719998063

linkhttp://instagram.com/fathanninlayson calendar_today27-07-2012 11:39:17

6,6K Tweet

464 Followers

444 Following

nafn (@fathanninlayson) 's Twitter Profile Photo

Preempted the de-historicising impulse of tiktok, established a new aesthetic code that has come to dominate self produced internet art - an aesthetic that helps render the 21st century American version of "fascism". The hyperstition to end all.

Steven Hyden (@steven_hyden) 's Twitter Profile Photo

Francis Coppola on his Razzie award nominations should be the thing that that finally kills the stupid Razzies out of shame and embarrassment.

Francis Coppola on his Razzie award nominations should be the thing that that finally kills the stupid Razzies out of shame and embarrassment.
rayne fisher-quann (@raynefq) 's Twitter Profile Photo

I’m sure someone has written about this but I’m so interested in this increasingly popular method of online artistic production where the filmed process of producing the art is obviously the real valuable (&profitable) output while the art piece itself is relatively incidental

nafn (@fathanninlayson) 's Twitter Profile Photo

Seen this rumbling on and feel the vagueness of what "Formal" means in this context is doing a lot. The last thing Letterboxd criticism needs if we are to take it seriously (we should) is people describing and ranking shot types, which I think is the inevitable end point to this

Tony (@strengthbuild) 's Twitter Profile Photo

We abandoned liberation for fucking cheap plastic shit, multilevel marketing scams and 500 different energy drinks on every corner. I could cry for years.

Lauren Wilford (@lauren_wilford) 's Twitter Profile Photo

I think it's already shocking how the social-psychological meaning of images and art has changed, and that's NOW. Our children will never know a world in which images are something you have to work hard to make. The valence is different, irrevocably

Zachary Levenson (@grundrza) 's Twitter Profile Photo

It would actually be a challenge to find a Marxist analyst of neoliberalism writing between 1989 and 2008 who did *not* argue that revanchist nationalism was the most likely outcome