lynsey addario (@lynseyaddario) 's Twitter Profile
lynsey addario

@lynseyaddario

Lynsey Addario is an American photojournalist.All opinions are personal. Author of NYT bestseller memoir 'It's What I Do' and “Of Love and War” by @penguinpress

ID: 108171720

linkhttp://www.lynseyaddario.com calendar_today25-01-2010 02:45:11

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Declan Walsh (@declanwalsh) 's Twitter Profile Photo

The scenes of jubilation at the presidential palace were cut short this morning when the R.S.F. carried out a strike that killed three journalists from Sudan TV, as well as two officers from the army media team.

Declan Walsh (@declanwalsh) 's Twitter Profile Photo

Names of the Sudan TV employees killed this morning (two journalists and a driver). The head of the army press office in Omdurman was also killed. Always heartbreaking when journalists are killed on the jobs; condolences to the families of all. x.com/Aleisir/status…

Sharif Kouddous شريف عبد القدوس (@sharifkouddous) 's Twitter Profile Photo

Hossam Shabat filed this article just hours before he was killed by the Israeli military. There needs to be justice for him and the more than 200 Palestinian journalists killed in Gaza. We will not forget. Read Hossam's last dispatch: dropsitenews.com/p/hossam-shaba…

Harvard University (@harvard) 's Twitter Profile Photo

“No government—regardless of which party is in power—should dictate what private universities can teach, whom they can admit and hire, and which areas of study and inquiry they can pursue.” - President Alan Garber hrvd.me/GarberRespond3…

NYTimes Communications (@nytimespr) 's Twitter Profile Photo

And congratulations to our finalists: Dave Philipps for Public Service; New York Times Opinion for Editorial Writing; David Guttenfelder, Nanna Heitmann, Tyler Hicks and Nicole Tung in Breaking News Photography; and lynsey addario for Feature Photography.

The Atlantic (@theatlantic) 's Twitter Profile Photo

Refugees fleeing the civil war in Sudan’s Darfur region are finding little help, in part due to the Trump administration’s devastating cuts to foreign aid. Lynsey Addario’s photographs capture the first humanitarian crisis of the post-American world: theatlantic.com/international/…

lynsey addario (@lynseyaddario) 's Twitter Profile Photo

In Tiné Chad, 3,500 Sudanese refugees are arriving daily - fleeing violence in Darfur. Many are hungry & dehydrated but aid cuts mean little awaits them. My dispatch from Tiné with Anne Applebaum The Atlantic theatlantic.com/international/…

Scott Stossel (@sstossel) 's Twitter Profile Photo

"This wasn’t merely the sound of artillery, but the sound of nihilism and anarchy, of lives disrupted, businesses ruined, universities closed, futures curtailed." Wrenching, magisterial article by Anne Applebaum, photos by lynsey addario theatlantic.com/magazine/archi…

The Atlantic (@theatlantic) 's Twitter Profile Photo

No statistics can express the sense of pointlessness, of meaninglessness, that the civil war in Sudan has left behind alongside the physical destruction. Anne Applebaum and lynsey addario traveled to the front lines of the devastating conflict: theatln.tc/nXcncGoo

No statistics can express the sense of pointlessness, of meaninglessness, that the civil war in Sudan has left behind alongside the physical destruction. <a href="/anneapplebaum/">Anne Applebaum</a> and <a href="/lynseyaddario/">lynsey addario</a> traveled to the front lines of the devastating conflict: theatln.tc/nXcncGoo
lynsey addario (@lynseyaddario) 's Twitter Profile Photo

Since January, I’ve travelled across #Sudan and into #Chad, documenting a war that’s displaced 14M people—more than Ukraine & Gaza combined. With U.S. aid slashed, the crisis deepens. Read our The Atlantic cover story with Anne Applebaum theatlantic.com/magazine/archi…

lynsey addario (@lynseyaddario) 's Twitter Profile Photo

I often describe my work as capturing stories of tragedy and resilience. For years, I have only ever been behind the camera, photographing love and war, and the rare moments where the two collide. Now, I find myself on the other side — watching how these two realities have

I often describe my work as capturing stories of tragedy and resilience. For years, I have only ever been behind the camera, photographing love and war, and the rare moments where the two collide.

Now, I find myself on the other side — watching how these two realities have