Looking for female/NB DJs for an Inter:Mission event in April. Please get in touch & spread the word.

Congratulations to the lucky ten who have been selected for our prestigious Critics Scheme with Bristol Spotlights. You fought off tough competition to earn your place.

We're proud to announce our winner for Best Starting Piece of 2020! Shamar Gunning explores the depiction of violence against the black body in photojournalism and artwork. intermissionbristol.co.uk/opinion/2020/2…

Georgie Byworth-Morgan reviews Zanjir at the Arnolfini, ‘an exploration of memory, identity, and the passing of time explored through the interwoven story of two Iranian women'. intermissionbristol.co.uk/art/2020/2/15/…

In a time of radical social awareness and diversity, Amelia Yeomans discusses the fashion industry's misnaming of people of colour and the residual racism this may reveal. intermissionbristol.co.uk/fashion/2020/2…

Runner Up for Best Starting Piece of 2020 Millie Giles discusses the influence of technology on how we define intelligence and what this means for the future. intermissionbristol.co.uk/opinion/2020/2…

In the wake of the Weinstein verdict, Bea Piésold considers the perception of rape survivors and the legacy of the #MeToo movement. #WeinsteinTrial intermissionbristol.co.uk/opinion/2020/2…

"A jukebox musical that embodies so much more than a mere greatest hit show.” @jack_brcvc reviews Beautiful - The Carole King Musical at the The Bristol Hippodrome. intermissionbristol.co.uk/arts-coverage/…

An evening of drinks, drawing and crafts hosted by Inter:Mission. It’s some great value nostalgia, at a humble £3. You’d be silly not to. 11th March, PRSC. fixr.co/event/680671384

Thanks for coming Greta Thunberg! Bristol loves you 💚

I:M’s theatre editor @ruskinism picks the best cultural experiences you can have with your laptop. intermissionbristol.co.uk/arts-coverage/…

Our editor @ruskinism on how to culturally fill the days of quarantine: digital stages and more. intermissionbristol.co.uk/arts-coverage/…

“L’enfer, c’est les autres". At this time of isolation with, and not just from, other people, Claudia Jackson explores the context of Sartre's Huis Clos through its now-abandoned performance at the Schauspiel Frankfurt. intermissionbristol.co.uk/arts-coverage/…

Keep sending in your submissions!

From taming to embracing - @TashaNuthall on learning to love her curls. intermissionbristol.co.uk/opinion/2020/4…

Broadcasting tonight across France and online, Claudia Jackson reviews the Comédie-Française's Le Misanthrope by Molière. intermissionbristol.co.uk/arts-coverage/…

"Let's say something scandalous and see what happens" Bristol's Isobel Granger in conversation with Bamidele Madamidola. intermissionbristol.co.uk/arts-coverage/…

"A palpable hit": deputy editor Claudia Jackson reviews Martin Crimp's pardon-my-French take on Cyrano de Bergerac for The Jamie Lloyd Co & National Theatre Live intermissionbristol.co.uk/arts-coverage/… #CyranoWestEnd

A joyous production where every leap and twist brings Marc Chagall’s canvasses to life - Claudia Jackson reviews The Flying Lovers of Vitebsk Bristol Old Vic. Catch the show on demand from 7.30pm tonight! WiseChildren @WeAreKneehigh intermissionbristol.co.uk/arts-coverage/…

“@livingspit deliver a much-needed good laugh with this well-loved tale, told with warm-hearted silliness and wit”. Rebecca Robson reviews Beauty and the Beast at Bristol Old Vic as the #theatre reopens its doors intermissionbristol.co.uk/arts-coverage/…