Introducing 360/latlong video review in cineSync! cineSync’s April 2021 update has arrived and is available today. Try 360 video review, animation ghosting, automatic media download, and more. See the full list and features in action ⬇️ ftrack.com/en/2021/04/360…

#GodzillaVsKong How did you share scenes for approval? We would submit shots for review then typically would have cineSync sessions to discuss client feedback with (VFX Supe) DJ, which is fairly standard procedure these days Scanline VFX - Powered by Netflix postPerspective postperspective.com/scanlines-vfx-…

Drama, lavish sets, and Olivia Colman—what's not to love about The Crown 👑? Amazing visual effects for a tv series too—and much of it created remotely with help from Frankie, as VFX supe Ben Turner revealed to us. cospective.com/news/frankie-t…

Take to the stars with DNEG, Rodeo FX, and ILP 🌌 Three studios discuss the #VFX of Apple TV’s #Foundation and how cineSync helped unite the show’s spectacular visual direction 🚀 bit.ly/2YtvXJn

Another media player for professionals ftrack @CineSync player is in beta ftrack.com/en/cinesync-pl…

Now renewed for a 2nd season #Foundation continues to impress audiences with its stunning visuals. Our VFX Supervisor on season one, Arnaud Brisebois chats with #ftrack, the maker of a very useful tool we use called Cinesync, to discuss some of our work ftrack.com/en/portfolio/a…

For this #20YearsOfPerception moment, we're going back to exactly two years ago today when Cospective published this awesome interview with our team about Perception's contributions to Spider-Man: Far From Home! Read the full article here: cospective.com/news/perceptio…

Uncover how our team used #cineSync to deliver BAFTA-nominated #VFX on @thematrixmovie. Discover more with Jon Christensen: bit.ly/DNCNSc

Remote VFX company Temprimental reveals how cineSync keeps the team connected and simplifies dailies on shows like The Unholy and Barb and Star 🍹 bit.ly/ftrack-temprim…

Get great insight into the #VFX behind #MoonKnight in our latest case study with the ever-brilliant Image Engine VFX Studio. Thanks to VFX Supervisor Thomas Schelesny for his thoughts on the production and how cineSync helped bring things together! 🌙 bit.ly/ftrack-moon-kn…

Check out cineSync 5 all you production and filmmaking folks who review dailies remotely.

🔥 Been searching for an #OCIO v2-compatible image viewer and got a recommendation for ftrack's cineSync Play. Wow, it's SO GOOD. Exactly what I was looking for! ftrack.com/en/cinesync/do… #cg #cgi #3d #3animation #3dart #render

ftrackの「cineSync Play」を試したのですが、メディアプレーヤーとしてなかなか良い感じでした。 プレーヤーだけなら無料で使用できるみたいです。 ftrack.com/en/cinesync/do…

IF magazine has released their 2023 rising talent edition - we're delighted to see many talented SA practitioners on the list including Maxx Corkindale, Matt Vesely, Isaac Coen Lindsay, Karen Gower, Rebecca Burrato, Jonah Booth-Remmers & Adam Dixon-Galea! if.com.au/check-out-ifs-…

Just released at #StarWarsCelebration: Watch the new trailer for #IndianaJones and the Dial of Destiny, in theaters June 30.

🌐 Working with a global team? Real-time synced video reviews keep everyone on the same page at the same time! It’s possible with ftrack cineSync. #collaboration #remoteteam ow.ly/iSWR50OgQQ8

Here’s what’s new in this week’s iconik update coming live from #IBC2023. Mikael Wahlberg, CTO for Backlight Creative shares all about: - “Favorites” - Collections - Sync with cineSync - Fresh User Interface

Backlight has received a Product Innovation award from @TVTech for technical excellence with cineSync, the Hollywood gold-standard for creative review and approval. 🌠 Find the full list of winners here hubs.ly/Q025Mt0J0"