Carefully follows the template established by Until Dawn: surprisingly competent first hour genre work derails into explicit trauma metaphor, heroine literally fighting her own emotions and then herself, climactic hug achieves symbolic therapeutic victory for female screenwriter

Exhausting snide term paper about AMERICA full of level zero commentary on social media and GUN CULTURE. The basic structure is weirdly just cloned from A Different Man: pathetic male protagonist, memorable female villain, two acts of patient observation and sympathy building,

An eerie simulacrum of a movie

Libtard screenwriter couldn't figure out what to do with Lois Lane because she's not allowed to be a damsel in distress so he just wrote her out of the third act. She's offscreen flying around in an agency metaphor until Superman decides to make out with her

Thomas Mapother's greatest stunt yet: seizing control of Brad Bird's franchise, installing a Jack Reacher goon as "director," replacing tension and musicality with exposition and dirt bike jumps—crashing the IP with no survivors

A formidable sequel to Argylle

A decent campfire story until it abandons mood, escalation, and character by showily dividing the story into repetitive interconnected viewpoint chapters full of millennial joke violence. The threatening aura is definitely gone by the time you reach the Gaysian principal subplot

Criminally insane Asian director unveils many secrets and shows how different layers of reality work, including demons and astral projection. An important movie which launched a towering franchise and defined a new, creepy mode of storytelling: bizarre tunneling specificity

What I like about this franchise: They insist on the technical detail that Annabelle is not possessed, only a beacon for spirits. Even though the audience doesn't care, they repeat it many times and build it into the lore thoughtfully. Annabelle is NOT POSSESSED

This guy would have cleaned up on the podcast circuit. Probably would've been a Remilio too. RIP Michael

Weird throwback Gen-X movie about a guy with a bunch of cool problems and a very big unpaid debt which suddenly comes due. Tonally kind of botched, an LA noir trying to be a New York comedy, eventually you start to care just due to the sheer amount of beatings Austin takes

The quintessential John Carpenter: seductive concept and ominous first 20 minutes followed by a borderline incompetent zombie movie—and a terrific score full of evil thoughts

Chat gpt ushers in a new era of black filmmaking

This movie was produced during the repressive "Hays Code" and is notorious for not including a POV cumshot. Audiences were confused by the story and did not understand that Rick and Ilsa are a couple

Jane and Rochester both "settle" for their looksmatch, but it turns out to be a heartmatch A lesson for 30 year old egirls

A seeker is more like a FG kicker. In real life they would not be respected

How to make a woman love you: kidnap her, then force her to undress in front of you but DONT rape her. Suddenly she'll realize you're a gentleman. Now she trusts you. She's never been turned down before. "Who is this guy??" She falls in love