Yes, from 1970!! #dataviz people (et all) please take a look at Agnes Denes "Absolutes and Intermediates" at The Shed and read this Washington Post thing too: washingtonpost.com/entertainment/…

Agnes Denes again, because, so amazing.

“Poetry is not a fancy way of giving you information; it’s an incantation. It is actually a magic spell. It changes things; it changes you.” An interview with Philip Pullman. nyer.cm/FhivnIr

Fantastic poems by Shane McCrae @akasomeguy framed by a rare example of really well done illustration and digital/visual storytelling by the The New Yorker (but it's still really about the poems!) newyorker.com/magazine/poems…

There are no flowers on the Internet. The New York Times Nature isn't a metaphor. Internet is the opposite of nature.

This is what the Internet actually looks like to nature. bbc.com/future/article…

Here is another, actually quite visually beautiful (like quartz), story attesting to the Internet's opposition to nature. bbc.com/future/bespoke…

Posting this essay I wrote years ago since sometimes I feel so helpless as a witness to all this madness poetryfoundation.org/poetrymagazine…

A stark governmental example of #codingtheself / coding subjugated identities based on the idea/possibility of engineering your visual identity through DNA. "Called DNA phenotyping. Scientists use it to analyze genes for traits like skin color, eye color and ancestry."

Everlasting layers of ideas, images, feelings, have fallen upon your brain softly as light. —Thomas De Quincey via Lapham’s Quarterly (how soft is light exactly and how everlasting are ideas etc? Still nice stuff)

I am very late on this--here are the opening 3 lines of my poem "Drop" in Conjunctions amazing and horrowing Earth Elegies issue. Deeply grateful to have my voice among this concert of voices. Please find a copy and read everything in it. Our minds are all part of the Earth.

So awesome!!

surfacing from my twitter silence to send love to @akasomeguy and his (as always) awesome poem (along with my infinite devotion to Celan (esp in the form Joris‘ trances))

So psyched to have part 2 of my spy poem in summer issue of The Paris Review

Just read my teaching evals (as always with deep trepidation) and I've never been this moved by the comments Parsons Design + Technology MFA students wrote. I feel so lucky to have worked with this awesome group of artists/designers/coders. supreme thanks to Colleen Macklin for bringing me in

My review of Counterpath series of computer generated/mediated writing (mostly, excitingly, poetry!), Using Electricity, is up at The Paris Review -- fascinating works by Allison Parrish | @[email protected], @nickmofo, @programmatology, @RuMboya, Rafael Pérez y Pérez, marianx, and many others

Thanks Literary Hub for including my code poets review in your daily! lithub.com/lit-hub-daily-…

Thank you The Paris Review and cami for recording this little video of me reading Antwerp (2)! So fun being on Instagram for the first time (might have to join)! instagram.com/reel/Cu2E0SbvK…

Now on our blog: read an interview with Jonathan Thirkield, whose new poetry collection, INFINITY POOL, publishes with the Phoenix Poets series this month: buff.ly/4evo2g4

Excellent interview with poet and digital artist Jonathan Thirkield about his new UChicagoPress book INFINITY POOL pressblog.uchicago.edu/2024/09/19/rea…