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Read Grace Aneiza Ali’s “Women, Art, and Activism in Guyana,” which portrays how women artists have challenged negative images of Guyana in their work. jstor.org/stable/10.5406… #TheUnexpectedCaribbean

The ARTnews 2022 ‘The Deciders’ list included the Caribbean Cultural Center African Diaspora Institute (CCCADI), for which Department of Art and #ArtHistory Assistant Teaching Professor Grace Aneiza Ali serves as Curator-at-Large! cfa.fsu.edu/grace-aneiza-a…

Being the first often means you have to be the best — and the bravest. 📸 Sarahbeth Maney for The New York Times

Please spread the word about this awesome symposium I'm running w/Nicole Burrowes & Seth Koven, "The Many Worlds of Mainland 'British Latin America'" featuring scholars working on disparate issues & places from #slavery in #BritishHonduras to Indian #indentureship in #Guyana

Thank you @SabrinaMahfouz for these most kind words about our book.

I am excited to see this Book come into the world soon. My gratitude to its wonderful editors and visionaries Lesly Deschler Canossi & Zoraida Lopez-Diago for the invitation to offer the chapter on how as migrants we mourn mothers and motherlands in “The Motherland Between Us.”

Happy Mother’s Day to the immigrant moms who found their own voice by nurturing their children’s. The ones who argued with our fathers so we could have the freedoms they never experienced themselves. The ones who never felt strong but were adamant on raising strong women.

So grateful to receive this poignant review on our book, Liminal Spaces, in the latest issue of @wasafirimag written by the equally thoughtful Celeste H Dennis. Full Issue: wasafiri.org/product/wasafi…

"in truth the only ship there is / is the ship we are all on / burning the world as we go." One of my favorite poems by Mary Oliver:

My brilliant friend on how Guyana's East Bank Public Road tells the story of a place: "This street has long held a particular role in our lives. It has shaped the realities of generations of women in my family in consequential and deeply damaging ways."

My book, GLOBAL GUYANA: WOMEN, RACE, AND RESOURCES IN THE CARIBBEAN AND BEYOND is now officially under contract with NYU Press. Thanks to everyone who helped make this happen! And please don't ask me to do anything until after Dec. 1, when the final manuscript is due!😃#Guyana

October marks the 2-Year Anniversary of our book, Liminal Spaces: Migration and Women of the Guyanese Diaspora. Since launched, it has received a wonderful reception from readers, critics, scholars, artists, teachers, students and more importantly, the Guyanese community. #Guyana

So happy to read how the book impacted you. Thank you.

5 years ago, I curated a major exhibition on contemporary Caribbean art for MOLAA. A career highlight, it featured over 80 artists & traveled to 4 cities. The catalogue is on sale Duke University Press for 50% off with code FL22. dukeupress.edu/relational-und…

How can a house reflect migration’s arcs, its losses, and its gains? Thank you Pérez Art Museum Miami for featuring my essay on Guyanese-born British artist Frank Bowling OBE RA and his beloved "Mother's House Paintings." cci.pamm.org/en/frank-bowli…

Continuing the week with #nyuscholarsconvention Pathways Summit. First panel with Eriq Felix Grace Aneiza Ali Jorge Burmicky, Ph.D. Ariana J. Valle Silvia Rodriguez Vega share advice on postdocs, finding your academic identity, and being your whole self. #jojodoodles

Stunning essays, photography, art & film in the newest issue of The Scholar and Feminist Online out today! To Make Visible: Our Bold, Beautiful, Aging Bodies Guest Edited by Gabri Christa Gabri Christa & Sheril Antonio, cover image by Carrie Mae Weems sfonline.barnard.edu/to-make-visibl…

"Those Who Remain: Portraits of Guyana’s Amerindian Women," a stunning photo essay by Khadija Benn, with intro by Grace Aneiza Ali, reminds us elder women left behind when family members migrate play a crucial role in bridging distance across borders." sfonline.barnard.edu/those-who-rema…

Forbes Business ranks Guyana as "The World’s Biggest Diaspora." Out of all sovereign countries with at least 750,000 inhabitants, Caribbean nation Guyana had the biggest share of its native-born population—36.4%—living abroad. @forbes forbes.com/sites/katharin…

Introducing Grace Aneiza Ali—AJO's New Editor-in-Chief artjournal.collegeart.org/?p=18377