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i mean, fuck, i like chips, i like mult, i like gettin’ tarots, i like jokers that mult my mult

Preempted the de-historicising impulse of tiktok, established a new aesthetic code that has come to dominate self produced internet art - an aesthetic that helps render the 21st century American version of "fascism". The hyperstition to end all.

oh it's gonna be a BAD bad economic crisis...

Francis Coppola on his Razzie award nominations should be the thing that that finally kills the stupid Razzies out of shame and embarrassment.

I’m sure someone has written about this but I’m so interested in this increasingly popular method of online artistic production where the filmed process of producing the art is obviously the real valuable (&profitable) output while the art piece itself is relatively incidental

Seen this rumbling on and feel the vagueness of what "Formal" means in this context is doing a lot. The last thing Letterboxd criticism needs if we are to take it seriously (we should) is people describing and ranking shot types, which I think is the inevitable end point to this

Kit’s Coty House by Colin & Janet Bord

dan burn using his freedom of northumberland

We abandoned liberation for fucking cheap plastic shit, multilevel marketing scams and 500 different energy drinks on every corner. I could cry for years.

I think it's already shocking how the social-psychological meaning of images and art has changed, and that's NOW. Our children will never know a world in which images are something you have to work hard to make. The valence is different, irrevocably

"AI has made art accessible." we were drawing on cave walls, pick up a pencil

so funny to me that this stuff is always said by people that are big into Anime and stuff like South Park

It’s almost as if…the demise wasn’t the point. It’s what would replace it. Radical thought I know.

It would actually be a challenge to find a Marxist analyst of neoliberalism writing between 1989 and 2008 who did *not* argue that revanchist nationalism was the most likely outcome

THE GOSPEL ACCORDING TO ST. MATTHEW (Pier Paolo Pasolini, 1964.)