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ARTUNER

@theartuner

Curated selection of #contemporaryart for sale I Founded by @EReRebaudengo I Follow us for news on #art, invites to #exhibitions, online #curations.

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linkhttp://www.artuner.com calendar_today28-01-2013 22:45:55

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No rainy days in the Uffizi Gallery, Florence. A woman admires “Reclining Venus” by Ingres, captured by Luigi Ghirri in 1985. © Eredi di Luigi Ghirri | luigi_ghirri #luigighirri #italianart #photography #italia #uffizi #firenze #summer #artuner

No rainy days in the Uffizi Gallery, Florence. A woman admires “Reclining Venus” by Ingres, captured by Luigi Ghirri in 1985. 
© Eredi di Luigi Ghirri

| <a href="/luigi_ghirri/">luigi_ghirri</a> #luigighirri #italianart #photography #italia #uffizi #firenze #summer #artuner
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Manuele Cerutti represents himself in direct communication with the viewer, in this study for the "Soliloquio" series. Studio per Soliloquio, (VII), 2021 Oil on wood 35 x 30 cm #selfportrait #italy #artuner

Manuele Cerutti represents himself in direct communication with the viewer, in this study for the "Soliloquio" series. 

Studio per Soliloquio, (VII), 2021
Oil on wood
35 x 30 cm

#selfportrait #italy #artuner
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In his depiction of a daily ritual in "La Folla", Manuele Cerutti suspends time, inviting the viewer into the stillness of the present moment, between cups of coffee. "La Folla, Personaggio Sesto", 2015 #manuelecerutti #painting #artuner

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‘Flexors III’ (2016) is the last of Cerutti’s trio; the staff carefully balanced, the ladder not fully extended, the book frayed, and the blanket folded yet not flat — all imply a life of use and movement. "Flexors III", 2016 Oil On Linen

‘Flexors III’ (2016) is the last of Cerutti’s trio; the staff carefully balanced, the ladder not fully extended, the book frayed, and the blanket folded yet not flat — all imply a life of use and movement.

"Flexors III", 2016
Oil On Linen
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In this work Cerutti depicts two figures placed in an expansive setting representing the divide between Heaven and Earth. Both the setting and composition remind the viewer of the story of St. Christopher, patron saint of travellers. "Soliloquio", (IV), 2020

In this work Cerutti depicts two figures placed in an expansive setting representing the divide between Heaven and Earth. Both the setting and composition remind the viewer of the story of St. Christopher, patron saint of travellers. 

"Soliloquio", (IV), 2020
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"Eppur Si Muove" at the Japanisches Palais, SKD Museum featuring David Czupryn will be open until the 25th of September. His work "Gold" highlights the bright sunny weather in Rome and important figures from art history, including Ettore Sottsass and Alexander Calder.

"Eppur Si Muove" at the Japanisches Palais, SKD Museum featuring David Czupryn will be open until the 25th of September. His work "Gold" highlights the bright sunny weather in Rome and important figures from art history, including Ettore Sottsass and Alexander Calder.
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Tonight in Düsseldorf - the newest sonneundsolche exhibition “Yubi” opens, featuring new work by Pia Krajewski. It commemorates five years of the artist-run offspace, featuring two invited artists, and the three core members. Congratulations to Pia and the rest of the team!

Tonight in Düsseldorf - the newest sonneundsolche exhibition “Yubi” opens, featuring new work by Pia Krajewski. It commemorates five years of the artist-run offspace, featuring two invited artists, and the three core members. Congratulations to Pia and the rest of the team!
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In the studio: Pia Krajewski working on “Untitled (Spindeln)”. See this new work and many others at her solo show, “The Tactile Mind” with Artuner opening in Berlin September 14th. “The Tactile Mind” Direktorenhaus Museum Sept 14-28

In the studio: Pia Krajewski working on “Untitled (Spindeln)”. See this new work and many others at her solo show, “The Tactile Mind” with Artuner opening in Berlin September 14th. 

“The Tactile Mind”
Direktorenhaus Museum
Sept 14-28
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“Country Dolphins” comes to fruition as seen in this shot taken last year in Ana Elisa Egreja’s studio in São Paulo. The piece will be joined by other new work for Ana Elisa’s upcoming solo show titled, “Pink Habitats”. Direktorenhaus Museum Sept 14-28

“Country Dolphins” comes to fruition as seen in this shot taken last year in Ana Elisa Egreja’s studio in São Paulo. The piece will be joined by other new work for Ana Elisa’s upcoming solo show titled, “Pink Habitats”.
Direktorenhaus Museum
Sept 14-28
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We're so happy to see these two works by Pia Krajewski looking right at home in this beautiful living room. “Untitled (Tower) (Grown2)”, 2021 150 x 120 cm “Untitled (Lungs)”, 2022 150 x 120 cm

We're so happy to see these two works by Pia Krajewski looking right at home in this beautiful living room.

“Untitled (Tower) (Grown2)”, 2021
150 x 120 cm

“Untitled (Lungs)”, 2022
150 x 120 cm
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This mirrored ball in Ana Elisa Egreja’s latest work is a common fixture in Barragán houses, used to give visibility to all corners of the room, and references Dutch still-lifes when they were placed as a way for the artist to include a self-portrait within the composition.

This mirrored ball in Ana Elisa Egreja’s latest work is a common fixture in Barragán houses, used to give visibility to all corners of the room, and references Dutch still-lifes when they were placed as a way for the artist to include a self-portrait within the composition.
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Undulating waves are a recurring theme in Pia Krajewski’s oeuvre, seen here in detail here in one of her latest works. This element can be seen as a continuation of the visual language established in earlier works that were shown last year as part of “Sight and Touch” in Mi

Undulating waves are a recurring theme in Pia Krajewski’s oeuvre, seen here in detail here in one of her latest works. This element can be seen as a continuation of the visual language established in earlier works that were shown last year as part of “Sight and Touch” in Mi
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Two days until the opening of Pia Krajewski's solo show, "The Tactile Mind"! September 14th 18:00-20:00 Direktorenhaus Am Krögel 2 10179 Berlin #berlinartweek #opening #art #artuner

Two days until the opening of Pia Krajewski's solo show, "The Tactile Mind"!

September 14th
18:00-20:00
Direktorenhaus
Am Krögel 2 
10179 Berlin

#berlinartweek #opening #art #artuner
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Pia Krajewski's "Untitled (Netz)", exhibited as part of "The Tactile Mind", Berlin. "Untitled (Netz)", 2022 Oil On Canvas 81 × 63 Cm | @piakrajewski #piakrajewski #artuner #live #contemporaryart #art

Pia Krajewski's "Untitled (Netz)", exhibited as part of "The Tactile Mind", Berlin. 

"Untitled (Netz)", 2022
Oil On Canvas
81 × 63 Cm

| @piakrajewski #piakrajewski #artuner #live #contemporaryart #art
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Pia Krajewski's "Untitled (Spindel)", exhibited as part of "The Tactile Mind", Berlin. "Untitled (Spindel)", 2022 Oil On Canvas 150 × 120 Cm | @piakrajewski #piakrajewski #artuner #live #contemporaryart #art

Pia Krajewski's "Untitled (Spindel)", exhibited as part of "The Tactile Mind", Berlin. 

"Untitled (Spindel)", 2022
Oil On Canvas
150 × 120 Cm

| @piakrajewski #piakrajewski #artuner #live #contemporaryart #art
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Manuele Cerutti: "Studio per Soliloquio, (VIII)", 2021. From Artuner's Manuele Cerutti: STUDIOSCAPE. @manuelecerutti #manuelecerutti #installationview #Brussels #italiancontemporaryart #contemporaryart #exhibition #installation #artuner

Manuele Cerutti: "Studio per Soliloquio, (VIII)", 2021. From Artuner's Manuele Cerutti: STUDIOSCAPE.

@manuelecerutti #manuelecerutti #installationview #Brussels #italiancontemporaryart #contemporaryart #exhibition #installation #artuner
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View of "Whirpolis", by Jan-Luka Schmitz. The exhibition is now online. See the link in bio. From left to right. Jan-Luka Schmitz "Neighbour's Cut", 2022 200 x 120 cm Acrylic on canvas "Quintrouble", 2022 225 x 180 cm Acrylic on canvas |@janlukaschmitz #janlukaschmitz #kunsta

View of "Whirpolis", by Jan-Luka Schmitz. The exhibition is now online.
See the link in bio.

From left to right.

Jan-Luka Schmitz
"Neighbour's Cut", 2022
200 x 120 cm
Acrylic on canvas

"Quintrouble", 2022
225 x 180 cm
Acrylic on canvas

|@janlukaschmitz #janlukaschmitz #kunsta