Tau Films Client-Side VFX Supervisor Justin Jones talks about the global VFX workflow during the pandemic and the sequence that set the bar for the level of VFX work in Weiran Li's, "The Yinyang Master" (2021). buff.ly/390SuiV

Tau Films Client-Side Animation Director CJ Sarachene recounts the global animation crew's notable task of animating the only talking monster, Port Master, in Weiran Li's, "The Yinyang Monster" (2021). buff.ly/2PukfJO

Tau Films Rigging Supervisor Bharat Sabharwal talks about the muscle dynamics, simulation/rigging setup of the Red Monster and the Cimu Large Hand in Weiran Li's, "The Yinyang Master" (2021). buff.ly/3cxKjN9

Tau Films Animation TD Prachi Nagwekar talks about the sheer scale of character- and crowd-animation work for the final battle sequence in Weiran Li's "The Yinyang Master" (2021). buff.ly/3cXMREn

In this bilingual interview (English/Chinese), Tau Films Lighting Artist Kai Zhi Chiang talks about the lighting and layout challenges of the environments featured in the Final Battle sequence of Weiran Li's "The Yinyang Master" (2021). buff.ly/3x2XEVY

Tau Films Animation Lead Jeetendra Bhagtani dissects the Peach Tree transf ormation shot and explains how the animators brought to life the Director's vision in Weiran Li's "The Yinyang Master" (2021). buff.ly/3eheSpR

Tau Films Former Sequence Supervisor Andreas Jablonka discusses the Red Tower Arena sequence and the two phases of the Red Monster character that were pivotal to Weiran Li's "The Yinyang Master" (2021). buff.ly/3dOUuxj

In "2021 Pre-Oscar Insights - Talk with The Master" (with Coca Xie of China Entertainment), Tau Films/John Hughes Institute (JHI) Co-Founder and CEO John Hughes, discusses his pioneering involvement with computer-graphics imagery. buff.ly/3u4pJKr

Tau Films Production Coordinator Anuja Jayarajan discusses the scale and complexity of the Final Bridge Battle (FBB) sequence in Weiran Li's "The Yinyang Master" (2021). buff.ly/339IAIl

Tau Films Systems Supervisor Ronald Khoo talks about the "care and feeding" of the Tau Films' global computing systems that powered the imagery in Weiran Li's "The Yinyang Master" (2021). buff.ly/3f0abRz

Tau Films Lead Animator Senthil Velan revisits the character animation work on three of his favourite sequences in Weiran Li's "The Yinyang Master" (2021). buff.ly/2QcA8VL

Tau Films Production Manager Siew Lai Chin reveals why the Red Monster is her cherished character in Weiran Li's "The Yinyang Master" (2021). buff.ly/3oy9lA8

Tau Films FX Supervisor Karl Kohlman revisits the complex FX work of the Cimu-hand transformation in Weiran Li's "The Yinyang Master" (2021). buff.ly/3yG45ix

Tau Films Production Manager Ming Qiu discusses her role at Tau Films and her favourite sequence, the Red Tower Arena Fighting sequence, in Weiran Li's "The Yinyang Master" (2021). buff.ly/3zlE8VB

The crew at Tau Films are working on the VFX for China's biggest-budget film ever -- the Korean-War epic, The Battle at Lake Changjin. buff.ly/3dapcAj

Tau Films Client-Side VFX Supervisor Walt Jones talks about the contrasts between the human- and monster-worlds in Weiran Li's "The Yinyang Master" (2021). buff.ly/3jqu5Jt

ASUS ROG Series Takes Flight in Full-CG Commercial. Tau Films created the look, animation, and VFX in this full-CG commercial for ASUS 2021 Republic of Gamers (ROG) Series. #ASUS #ROG #ASUS_ROG #TauFilms buff.ly/2VDBkDU

We spoke to Karishma Mirashi, Tau Films Lookdev Artist, about her work on the 2021 ASUS Republic of Gamers (ROG) Series commercial. buff.ly/2V4n9Yw

JHI has teamed up with Tau Films to launch the first FastForward programme in Creature FX (CFX) conducted by Tau Films CFX Supervisor, Anubhav Pandey. The 4-week intensive, remote- training programme is aimed at its Malaysia and India locations only. buff.ly/3h15Yix