New #musicvideo for Nat Slater - Toxic. Captured on Kodak #16mm 500T using an ARRI SR3 + Canon UK and Ireland 10.6-180mm S16 zoom from #Take2Films by DOP Jean Dakar. Directed by FORLUCK + produced by Jack Cullis. Watch here 👇 youtube.com/watch?v=9gVctF…

New posters for the Take 2 test rooms to promote the The Camera Branch #FilmForFuture initiative. Visit camerabranch.org.uk/sustainability to find out more 🌍🎥 Big thanks to Jason Henwood for driving this forward and cycling 179km all over London to deliver the posters 💚👏

It's beginning to look a lot like Christmas in the #Take2Films office 🎄🎅

#KitPrep - the Angenieux 24-290mm, forever making the leave this place Alexa SXT look smaller than it is.

Congratulations to the Sudden Light team on their BIFA nomination for Best Short Film 👏 This fantastic short from Wellington Films was captured on 16mm by @nickmorrisdop using the ARRI 416 with ZEISS Camera Lenses Ultra 16 primes. Read more - bifa.film/film/sudden-li…

Large format, small camera. Our ARRI Alexa Mini LF cameras have been very popular this year. Get in touch with our lovely client contacts for a quote 💚 📧 - [email protected]

The legendary ARRIFLEX 416 Plus with a Canon 6.6-66mm S16 T2.7 Zoom, a beautiful combination for shooting on 16mm 🎞🎥

Wishing all of our wonderful clients, friends and followers a very Merry Christmas and a Happy New Year 🎄🎉 If you need assistance with any ongoing or emergency rental enquiries over the festive period, get in touch on 020 8992 2224 or by emailing [email protected]

Behind the scenes from The Lost Scot, a #shortfilm shot on PanasonicProEU Varicam LT with our @Cooke_Optics S5/i lenses. Watch the full film here: youtube.com/watch?v=1EGzSA… Director: Julien Cornwall Producer / Stills: Ash Teague DOP: Paul Maziere 1st AC: ET NG

We remain open as usual with strict safety measures in place to support all of your safe filming needs. If you need a quote, or advice about an upcoming production, get in touch 👇 📞: 020 8992 2224 📧: [email protected]

Great shot of our @SonyCineAltaEU Venice + ZEISS Camera Lenses 28-80 zoom + rain deflector by DOP David Procter

Beautiful stills from McKenna x Vogue Ukraine. Captured on ARRI 416 with ZEISS Camera Lenses Ultra 16 primes. Dir: Maya Skelton DP: Max Witting FP: James Abbott Prod: Beyan Taher Post Prod: Film Tank Grade: Vlad Barin #shoton16mm #16mmfilm #arri416 #cinematography #fashion

#BehindTheScenes - Getting top down shots for DOP Olan Collardy with the ARRI Alexa Mini + HAWK Anamorphic V-Lites 💥

The RED Digital Cinema RANGER MONSTRO 8K VV, paired with our TLS Morpheus 80-200 T2.8 Zoom 🔥 #Take2FilmsUK #RedDigitalCinema #CameraRental

#CameraPrep - ARRI Alexa Mini + HAWK Anamorphic V-Lite 28mm 💥 #camerarental #anamorphic #cinematography

TWIST begins tomorrow on @SkyCinemaUK. Captured on our ARRI Alexa Mini LF with @WeAreTLS Vega Primes and Morpheus 80-200mm Zoom by cinematographer Håvard Helle. Watch the trailer below: youtube.com/watch?v=zKhDF-…

Twist is out now on #SkyCinema. This Sky original #featurefilm was captured by #cinematographer Håvard Helle (Håvard Helle) on ARRI #AlexaMiniLF with @WeAreTLS Vega primes and Morpheus 80-200 zoom. Camera and grip supplied by #Take2Films.

SNS presents Nike Air Max Tailwind IV ✨ Shot on 35mm 4 perf by cinematographer Michael Kinsella-Perks using our ARRI 235. Directed by Chris Read. #fashion #commercial #shootfilm #35mm #cinematography

Our Sony | Cine VENICE + HAWK Anamorphic V-Lites on the GFM Multi + DJI Ronin 2 in muddy Wales with 1st AC Shane de Almeida (Shane de Almeida) #behindthescenes #cinematography