π•Ύπ–žπ–‘π–†π––πŸ©Έ (@sylaq_art) 's Twitter Profile
π•Ύπ–žπ–‘π–†π––πŸ©Έ

@sylaq_art

Artist π“‚‚ Illustrator π“‚‚ Publisher π“‚‚ Aesthete
instagram.com/sylaq_art
Publishing: daemonik.com

ID: 332253673

linkhttp://www.sylaq.com calendar_today09-07-2011 13:46:28

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Michael Spicer (@mrmichaelspicer) 's Twitter Profile Photo

The Tate Modern is so odd. Level 1 - fun interactive art for kids, Level 2 - huge photographs of artists in chains vomiting blood, Level 3 - more fun activities for kids, Level 4 - mainly cocks, Level 5 - disturbing audio of a distressed dog on a loop for 2 hrs, Level 6 - bistro.

π•Ύπ–žπ–‘π–†π––πŸ©Έ (@sylaq_art) 's Twitter Profile Photo

When one realises how quickly the dead vanish from the memory of the living, the opinions of the living will cease to bother you. Their praises and condemnations will just appear as fleeting noise, and you'll be left to exalt the only enduring power - your sovereign will. #egoism

π•Ύπ–žπ–‘π–†π––πŸ©Έ (@sylaq_art) 's Twitter Profile Photo

One of my irritations with the modern age is word inflation. Words once reserved for genuine malice are now deployed casually. Disinterested or indifference is hastily recast as β€œhatred". A lack of fascination with fictional people is *obviously* evidence of an inability to care

Archaeology & Art (@archaeologyart) 's Twitter Profile Photo

Kosode with skeleton and autumn grasses motif. Culture: Japan, 1840–1860. Medium: Stencil-printed cotton. Collection: Victoria and Albert Museum, London. Human bones and autumn grasses, printed in white stencil on dark cotton, make up the main design of this kosode. Near the

Kosode with skeleton and autumn grasses motif. Culture: Japan, 1840–1860. Medium: Stencil-printed cotton. Collection: Victoria and Albert Museum, London.

Human bones and autumn grasses, printed in white stencil on dark cotton, make up the main design of this kosode. Near the