Artist Sarah Cameron Sunde is conducting the final work in the 36.5 series today until 8:06pm EDT. Watch the livestream as the artist stands in a bay for one tidal cycle: 36pt5.org Georgia Museum of Art recently exhibited 4 performances from the series. Sarah Cameron Sunde

…building on the islands and holding them in place with beach replenishment programs just makes them more vulnerable to destruction because they can no longer move…

This Thursday, join Sarah Cameron Sunde as she and NYU faculty discuss her monumental work 36.5/A Durational Performance with the Sea. Register at bit.ly/standingsea. #WeAreArtsAndScience

"My hope is that by slowing down & acknowledging our vulnerability, we will be able to reconsider our own relationship with water in positive, more equitable ways." ~ @SCSunde on her #SeaLevelRise performance art at #WEF23 🌊🌙 weforum.org/agenda/2023/01… Gemma Parkes 🌊 World Economic Forum #OceanAction

“This has been studied for decades but there is no will nor personal investment to come to a solution”, some skeptical words of a local resident. The ⁦City of Palo Alto⁩ and #Stanford seem to forget that there is no #ClimateAction until the shovel goes into the ground.

'What Is At Stake?' is a new blog from Sarah Cameron Sunde, providing additional context to new research out in TDR: ➡️ ow.ly/eOtL50NgYjS #PerformanceStudies Sarah Cameron Sunde

Did you miss our 'New York Water Week' conversation with Matthijs Bouw & Edgar Westerhof, about climate resiliency in the face of possible flooding, drought, and other water-related concerns. LISTEN: wnyc.org/story/new-york…

I dont think the concept of the U.S. government returning lands in appreciable quantities back to some of the Native American nations from whom they stole it is inherently absurd. A lot of things seemed impossible 150 years ago have happened and one day I think this will, too

Want to celebrate Jon Fosse's 2023 Nobel Prize win with us? We've got a reading list for you! First up: an excerpt from his play "Night Sings Its Songs," translated from Norwegian by Sarah Cameron Sunde and published in our March 2006 issue. buff.ly/3ZPEfGQ (1/3)

Moving more than one million people across a densely populated warzone to a place with no food, water, or accommodation, when the entire territory of Gaza is under siege, is extremely dangerous – and in some cases, simply not possible.

Dehumanizing language that incites violence is never acceptable. I call on all leaders to speak out against Antisemitism, anti-Muslim bigotry and hate speech of all kinds.

Today we celebrated Fosse as he gave his Nobel lecture. «in both prose and poetry I had tried to write what usually - in usual spoken language - cannot be said in words. Yes, that’s right. I tried to express the unsayable, which was given as the reason for awarding me the Nobel».

"Jon Fosse Wants to Say the Unsayable" Alex Marshall finds, The New York Times nytimes.com/2023/12/07/art… — incl. Sarah Cameron Sunde theory why maybe he hadn't quite caught on in the US until recently:

For our newsletter, geographer Frank Magilligan (2020 Fellow) and artist Sarah Cameron Sunde Sarah Cameron Sunde (2021 Fellow) conversed about their shared interest in the power of water and its ability to create, destroy, and connect. Read more here: gf.org/news/general/w…

“his plays…have been compared to those of Samuel Beckett and Henrik Ibsen.” We love that this New York Times Arts profile of Nobel-winner Jon Fosse goes deep on his plays (and quotes translator Sarah Cameron Sunde). buff.ly/47yhDwP (1/2)

Check out this event. Hope to see you there! thesegalcenter.org/event-details/…

“If there’s any metaphor I would use for the act of writing, it would have to be listening.” Jon Fosse on how writing plays transformed his craft. lithub.com/how-jon-fosse-…

Wrote this article about how translating and directing Jon Fosse’s plays taught me to listen.

Learn more about the project here: fluxprojects.org/productions/at…