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Grateful Dorothy Spencer is receiving recognition in this thoughtful piece, but still seeing the assumption that women were cutters bc it was like “quilt making.” BEFORE “the field was still dominated by men” editing was done by women and their work was always creative. The New York Times

Here's what was lost when editing moved to computers. :-)

I'm shocked to just now learn about Cari’s passing. I had the huge honor to share my Brotherton research with her a few years ago. She was lovely, supportive, and asked to read my dissertation. Her work is so important. She will be missed. cari beauchamp nytimes.com/2023/12/20/boo…

Nothing QUITE like procrastinating on grading to fuel my productivity on my new documentary...

I'm putting together a list of films made for under $100,000 as a resource for film students just starting out. Please reply with your recommendations! I’ll start: Medicine for Melancholy (Dir. Barry Jenkins ) Budget: $15,000 #indiefilm

“Do we really want our sisters and daughters to be insanely talented, successful, and happy if it risks them not being married with kids by their 30s???”

This is the best physical media video to ever exist

Film festivals: "Films MUST be <18 months old (even though our submission window is open for 9 months) and newer films with fewer premieres have a better chance." So, I'm supposed to finish my film RIGHT when your submissions open and sit on it for 9 months hoping it's accepted?

Art of the Cut is about seeing the MANY ways editors work. The process varies from person to person. Have you thought of changing YOUR approach to a scene? Mix it up! Add some freshness! Fail forward! Learn what DOESN'T work for you and what MIGHT! READ: bit.ly/AOTC-BEETLEJUI…

I think about this round table like once a quarter

The fact that getting a film permit to shoot our one day short film would have cost over half our entire budget was the moment I realized Hollywood was in trouble.

How 'bout a ride, mister? 🥰

Great Grizzlies win tonight with Rachael Camp! 🐻🏀 Memphis Grizzlies

Well, I'm out. Twitter was my favorite platform for 16 years, but I won't support it anymore. To the amazing academics I've met here and who supported my Brotherton research, you're the reason I stayed. I'd love to stay in touch, so find me on Substack: rachaelcamp.substack.com