In 2023 I’ve surpassed milestones I could have only dreamed of before. Glass ceilings were broken, collaborators and friendships were made. Cheers to an even better 2024. 🥂 Here’s a quick recap with my score for the credits of episode 9 of season 6 of The Crown.

Watch this space Harry Sherriff is making waves. 16/01/24

The soundtrack for ‘Jeremy: A Nightmare’ just dropped! With only 4 days remaining until the film releases you can comfort yourself with my horrible naming of cues. Can’t say enough about how great it was to dive in with this amazing team and embrace the strange world of Jeremy.

Harry Sherriff returns to DN and reveals how his creative development at National Film and Television School informed his latest uncanny comedy short ‘Jeremy: A Nightmare’ about a screenwriting professor who finds himself competing against his apparent doppelgänger for his job directorsnotes.com/2024/01/16/har…

Bulldog Film Distribution is bringing The Moor to the UK! “This is a film with a high pedigree of cinematic craft on display that looks and sounds amazing on the big screen and has one of the best, and most impactful, endings I’ve seen in a long time.” tinyurl.com/mrxjw4rv #TheMoor

This week was nothing short of monumental. Surrounded by incredible colleagues and getting to watch all the hard work from the past year on the big screen at BFI Shoutbank. Tremendously proud of the stories we got to tell together and I can’t wait to share them with the world.

There are only just a few tickets left to see THE MOOR at Manchester Film Festival Come see the film and meet the cast and crew! 📷6PM // 20TH MARCH A Manchester premiere and directorial debut. 📷Tickets and passes available online now: tinyurl.com/2pn2sd9c

We just sold out at ⁦Manchester Film Festival⁩! Thank you everyone.

We’ve all got them. Don’t pretend we don’t. 😝 Letterboxd The Moor Movie

The Ivors nominations for PRS for Music Most Performed Work 🎤 Find out the winners at #TheIvors with Amazon Music on 23rd May.

Four stills from the visual doc, cinematographer Bart Bazaz and I have been putting together for the micro-budget feature we’re prepping. Unconventional crime film set in a bleak seaside town. Laurence Tratalos and I have also been pitching it as a social-horror with dark humour. 🌊

AIR STUDIOS // NOVEMBER 23’

Thank you, Bernard Hill, for the privilege of witnessing your talent up close. Your Yorkshire accent was even better than mine. RIP #BernardHill

The Moor will be heading to UK Cinemas from 14th June and on Digital HD from 1st July!

Slow burn psychological horror drenched in atmosphere with elements of supernatural, folk horror & true crime. You do not want to miss acclaimed, award-winner #TheMoor.  Catch a special screening + Q&A at Rio Cinema in #Dalston, #London on Mon 17 June! 🎟️ riocinema.org.uk/movie/the-moor…

The Moor review – Yorkshire-set missing-kids chiller is formidable folk horror debut theguardian.com/film/article/2…

'The Moor' Review: A Yorkshire moor hides terrifying secrets in this "potent British rural horror" says Nikki Baughan screendaily.com/reviews/the-mo…

The Moor is now showing in cinemas near you! Check the listings to find a city and showtime that suits you. I’ll be joining Dead Northern and The Independent Horror Society tonight in York for a special screening and Q&A session. Tickets available in my bio.

⭐️⭐️⭐️⭐️ for Jack MacInnes' SURVIVING BLACK HAWK DOWN in The Telegraph today 👀 A total pleasure to have co-written the score with Nir Perlman - watch over on Netflix UK & Ireland now! telegraph.co.uk/tv/2025/02/10/…