Four stills from the visual doc, cinematographer Bart Bazaz and I have been putting together for the micro-budget feature we’re prepping. Unconventional crime film set in a bleak seaside town. Laurence Tratalos and I have also been pitching it as a social-horror with dark humour. 🌊

Four stills from the visual doc, cinematographer Bart Bazaz and I have been putting together for the micro-budget feature we’re prepping. Unconventional crime film set in a bleak seaside town. Laurence Tratalos and I have also been pitching it as a social-horror with dark humour. 🌊

Vive la France!

I love filmmaking ❤️ 🎥 🎬

I once made a podcast that accidentally documented my journey into one of the top film schools. Lately, I’ve been thinking about picking it back up and accidentally documenting my journey to a Razzie. 🤔 podcasts.apple.com/gb/podcast/har…

Date With Death (2023)

This film got rejected from 16 festivals. I am one with the ground.

One day I’ll be secure enough to not check Letterboxd reviews for validation. Today is not that day. 😱

🕵🏻‍♂️ 📚 I loved White Spines so this is a good day! Congrats Nicholas Royle

Waking up to a lovely, generous Telegraph review, by Ian Sansom, of Shadow Lines. Good start to weekend.

Today I graduated from the Directing Fiction MA course National Film and Television School. What a privilege to be associated with this school. Feeling grateful and inspired to get out there and carry on making films!

Keep an eye on this guy here, because many others will be doing. Congrats bro 🙌

After collaborating on approximately 467 of Harry’s short films and web series, this was a proud moment. 👏🏻

Yesterday 900 people watched our graduation film, Jester. 🤯Still on a high from the experience! National Film and Television School