Nisarg Patel (@nisarg2711) 's Twitter Profile
Nisarg Patel

@nisarg2711

Art and Animation enthusiast and hobbyist.

ID: 1160866502238777344

calendar_today12-08-2019 10:51:56

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萩原幸也 ®️ (@onipro) 's Twitter Profile Photo

「機械的に抽象化された生物」というコンセプトで3Dプリントを使い製作されたキネティック彫刻。ロンドンを拠点に活動するアーティスト、ウィリアム・ダレルの作品。

Joan (@_meloku) 's Twitter Profile Photo

Seiichi Hayashi is a manga artist and animator who started his career in the 1960s. He is best known for Red Colored Elegy, but he is also regarded as one of Japan’s greatest illustrators.

Seiichi Hayashi is a manga artist and animator who started his career in the 1960s. He is best known for Red Colored Elegy, but he is also regarded as one of Japan’s greatest illustrators.
vibu (@vibu_artz) 's Twitter Profile Photo

Artist : Sri Vaddadi Papaiah (VaPa) The legendary Telugu artist is celebrated for his unique magazine cover illustrations. His artworks feel ethereal and stylized with powerful visual storytelling. I esp like how female postures stand out beautifully. Few more of his artworks :

Artist : Sri Vaddadi Papaiah (VaPa)
The legendary Telugu artist is celebrated for his unique magazine cover illustrations. His artworks feel ethereal and stylized with powerful visual storytelling. I esp like how female postures stand out beautifully. Few more of his artworks :
Jonathan Bach (@jonathanbach16) 's Twitter Profile Photo

These are the final approved images of the Windtraders Gondola from Avatar: Fire & Ash. The first is a design image done as a key frame exploring the Tlalim clan’s dressing of one of their ships. Being wide ranging travelers & traders, the items they use to decorate the ship are

These are the final approved images of the Windtraders Gondola from Avatar: Fire & Ash. The first is a design image done as a key frame exploring the Tlalim clan’s dressing of one of their ships. Being wide ranging travelers & traders, the items they use to decorate the ship are
cinesthetic. (@thecinesthetic) 's Twitter Profile Photo

Pixar chief Pete Docter once asked Hayao Miyazaki: “When do you change things for yourself, and when do you change things for the audience?” Miyazaki’s answer was simple: “I never think about the audience.”

ジブリのせかい【非公式ファンサイト】 (@ghibli_world) 's Twitter Profile Photo

『かぐや姫の物語』の背景は、あえて青空が描かれていません。 昔の日本画は、ほとんど空が描かれておらず、空と地面は基本的に同じ色でした。余白を作ることによって空間が表現されています。 高畑勲監督と美術の男鹿和雄さんが画風の参考にしたのが、日本画家・川合玉堂(かわい

『かぐや姫の物語』の背景は、あえて青空が描かれていません。
昔の日本画は、ほとんど空が描かれておらず、空と地面は基本的に同じ色でした。余白を作ることによって空間が表現されています。

高畑勲監督と美術の男鹿和雄さんが画風の参考にしたのが、日本画家・川合玉堂(かわい