Check out this Nigerian animation inspired by the story of Queen Amina created by Anthill Studios YouNeek Studios

Yet another challenge facing artists in Nigeria! How can we guarantee the safety of public art installations?!

Now’s the time to invest in African art museorigins.org/stories/re5ed0…

The book I worked on is finally out. This is a surreal moment and I'm very happy with how well it came out. Super proud to be a part of this project.

Visual artist and book cover illustrator,Renike, believes African digital artists are undervalued: ‘If I could change anything about the African art industry, it would be how digital artists are treated.’ Our #LatestOnline republic.com.ng/august-septemb…

Been out on the streets lately...

yeah. I made this in AI in like 5 mins. It’s a wrap

"In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving..." Every day is a good day to (re)share and (re)read this iconic essay. granta.com/how-to-write-a…

In 2012, at the Mamma Haidara Library in Timbuktu, a clandestine operation was under way. Abdel Kader Haidara was on a mission to rescue more than 350 thousand ancient manuscripts that were under threat. “They were going to burn it all.” Full story here: nationalgeographic.com/culture/articl…

You’ve got to grow with the times. Here are some African artists using tech well! artnews.com/list/art-news/…

I've started mapping out the books publishing next year, and the British-Ghanaians did not come to play.

Hyperrealism is a beautiful trend that many Nigerian artists use museorigins.org/stories/theris…

Two types of traffic.

This is cool africandigitalart.com/linda-dounia-s…

Yasuke was the world’s first Black samurai. When a 6-foot-tall African slave landed in Japan, he stuck out like a sore thumb. People lost all modesty and nearly caused a stampede trying to get a closer look. Such a sight was so foreign in Kyoto. A THREAD!

Rwandan Artist, Izere Antoine, paints about life, self, community, contribution, and ultimately, strength museorigins.org/discover/portr…

The Red Man & The Red Lady.

HARRIET TUBMAN, William H. Johnson, circa 1945

Untitled. When I approach the canvas, I consciously distance myself from the clamour of life and the insistent ticking of time, believing that such pressures can cloud my practice. If a work does not resonate with my vision, I am unafraid to painting over it as many times as