I won’t be at #GDC25 but the game I’m working on will be! If you’re going, say hi to Adam—he’s awesome. Working on Insignia has been a joy so far, and if you want a taste of what I’ve been making, check out the backing music in his video below 😁

Studying orchestration as a means of expanding a source track’s musical richness is one thing, but being able to boil it down to the essential components by focusing on a listener’s thread of attention is another entirely

If you recognize the style of this video, you probably contributed to the 10 million+ views on the beautiful fan edit from Pauline C. (Kate Johnson on YouTube). We liked it so much we hired them to edit the official lyric video for the Ma Meilleure Ennemie extended cut.

Just saying if you come to ALT: GAMES is this weekend you’re kinda a cool cat. Cannot wait for this to launch and see the games community grow further in Australia!

Had a great time this weekend at the Powerhouse ALT games festival! Also joined a game jam on the ferry there with some cool peeps ⛴️ Powerhouse

here's my thing: game music needs to be memorable. they can be "vibey", i guess, but if they aren't memorable in a meaningful way and it's not stuck in your head then it's missed an opportunity for immersion

Just went back to my old high school to be on a panel about careers in the creative industries. I wish I had something like that when I was a student there! Hope I helped even just one person in making the reality of a creative career a bit more visible

I helped with music and sound design on this super cute game! Come along to Momo Art Mart this weekend to check it out! Details in the post below ☺️

The 'je ne sais quoi' I imagine for most artists is the holy grail. The ability to understand the 'why' of how something, a piece of music, a game, a visual art just hits better than something else that on paper might - on the surface look/sound exactly the same, but doesn't

Gene Park Hi Gene, long response, and I'll tag Tee Lopes too because it's a really interesting point of discussion. Apologies for the essay, and thanks for reading (if you do) and indulging my monologue here. Definitely understand the sentiment of where you're coming from, but 'background

GAME A WEEK IS BACK!!! 5 more weeks, 5 more games all happening every Thursday 26th June to 24th July. Registration opening soon!

Any game devs in my feed based in Sweden, Ireland, Iceland or Estonia? I’m travelling to Europe with my sister in September and I’d love to meet some game dev friends from across the globe or get advice on any meetups I could poke my head into - reply here or DM me!

#AirCon25 is back! 📆 When - June 7-14th. 📍 Where - It's all online on Airwiggles.com. 💰 Cost - Nothing, it's completely FREE! 📣 What can I expect? - 63 live events including presentations, panels and interviews. RSVP now: lnkd.in/dahHg5VP

The Nonolith has no locks nor keys, but hours and hours of mysteries Discover the secrets lying in plain sight, and learn the rules to tell wrong from right #metroidbrainia #indiegame

One of the great privileges of my career so far. Announcing I'm composing music for Sky: The Two Embers, by thatgamecompany youtube.com/watch?v=FWepS0…

Hello! We have just sent some emails about our next event coming up in July. However, we will be running this event differently as a public pitching event open to ALL aimed at early career game-makers in collaboration with UTS. 🎟️ events.humanitix.com/waypoint-prese…

Looking forward to nerding out with my pal Bear McCreary 🐻🎶 tomorrow for this The Society of Composers & Lyricists seminar on writing for orchestra! Come hang with us on zoom! us02web.zoom.us/webinar/regist…