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Syd Mead’s first foray into film design began with Star Trek: The Motion Picture (1979), where he was hired to visualize the interior of the V’Ger entity—a colossal, mysterious spacecraft housing a sentient machine. Originally brought on by director Robert Wise, Mead brought his

What would it be like to go beyond pfp Straight into pure energetic bling

Vox and Vex (from Money 2 w/ Y͓̽O͓̽S͓̽H͓̽I͓̽ ͓̽S͓̽O͓̽D͓̽E͓̽O͓̽K͓̽A͓̽) is part of flashDRIVE: Digital Arts Fundraiser Exhibition for Interaccess. ia-flashdrive.metalabel.com/mills?variantI…

"Mr. Jif" by Lorna Mills objkt.com/tokens/hicetnu…

we need a new mythic structure to replace the old one

Shusei Nagaoka makes a triumphant return to Control Panel Saturday with his classic inner gatefold artwork for ELO's 1977 album "Out Of The Blue"

This might be one of my favourites. Depth Charge Ed. 32, 20 tez objkt.com/tokens/hicetnu… teia.art/objkt/868415

Turned a year older today.. and that kinda sucks. But we’re going up only:):) My goal this year is to make and release more music and a/v works. I feel it with my whole heart y’all .. thanks for being part of this journey w /me, if you see it:) 🖤

⍽ ⍽ . ⍽ ┅⍽ . ⍽. .. .

This was a fun collaboration with aitso and my first appearance in an AVU drop. aitso's luscious analog work is the secret password that got me through the door. It's street cred by proxy. 💅💎👑

"Inhabiting the Threshold III" by CSu objkt.com/tokens/KT1Lp6r…

I have one piece of advice for artists in the NFT space who are looking to break out into trad art institutions, and I cannot emphasize it enough:

only 9 editions remain

WIP - Still-image lifted from a 1-minute video collage in progress, clip sourced from the film "La Femme Nikita" (1990). Processed through Adobe After Effects and Final Cut Pro.

From: The Little Mermaid (1968), dir. Ivan Aksenchuk, Soyuzmultfilm

I have just collected "Glitch Doll Y1" by 𝔪𝔦𝔠𝔞𝔥 𝔞𝔩𝔥𝔞𝔡𝔢𝔣𝔣 objkt.com/tokens/KT1G7Zd…

Watch 'til the end.😆

"BUT THIS IS INSTITUTIONAL CRITIQUE" by ☁ objkt.com/tokens/KT1XYnn…

WIP - Sourced from the film "Rambo: First Blood" (1982), processed through Adobe After Effects and Final Cut Pro.

Colour done. Happy with how it turned out. Time to varnish. Then this bozo is off to Philadelphia for a sea-themed group show