Marzia Panahi (@marziapanahi0) 's Twitter Profile
Marzia Panahi

@marziapanahi0

Leading Age towards Learning | @namadgalleryint

ID: 1695175939146031104

linkhttp://www.namadgallery.com calendar_today25-08-2023 20:47:17

80 Tweet

27 Followers

72 Following

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“Art is about connection. So, my job is done for now. It is your task to describe and interpret.” Latif Eshraq Artwork: Mummified, Latif Eshraq, 2019, Afghanistan, 30 x 40 cm, Oil on canvas. To visit: glry.xyz/namad For inquiries: [email protected]

asadbuda (@asadbuda) 's Twitter Profile Photo

سیمرغِ کوهِ قاف تویی، در خیالِ بلخ! من، کوهِ بامیانِ پر از یادگاری‌ام!

سیمرغِ کوهِ قاف تویی،
                        در خیالِ بلخ!
من، کوهِ بامیانِ پر از یادگاری‌ام!
Heela هیله نجیب الله (@hnajibullah) 's Twitter Profile Photo

موسیقی، شعر و ادب جز از فرهنگ ماست که هر پدیده که بخواهد ریشه اش را از افغانستان بکند، هیچ وقت کامیاب نخواهد شد. #اصلی_وطن_افغانستان_دی

Namad Gallery (@namadgalleryint) 's Twitter Profile Photo

“Finding the secret of artwork is the reason why a person becomes an art enthusiast.” Latif Eshraq Artwork: Flee, Latif Eshraq, 2022, South of France, 30 x 40 cm, Oil on canvas. Visit our gallery from the comfort of your own space with your goggles: glry.xyz/namad

“Finding the secret of artwork is the reason why a person becomes an art enthusiast.”
Latif Eshraq

Artwork: Flee, Latif Eshraq, 2022, South of France, 30 x 40 cm, Oil on canvas. 

Visit our gallery from the comfort of your own space with your goggles:
glry.xyz/namad
asadbuda (@asadbuda) 's Twitter Profile Photo

گریتاسولبین، در سال ۱۹۶۸ به کابل سفر می‌کند و این غیچک را می‌خرد. ظرافت و دقتِ به کابرده شده در ساختن این غیچک، حکایت‌گر انحطاط سلیقه در روزگار ماست. قطع نظر از صدا، خود این غیچک یک اثر هنری برجسته است.

گریتاسولبین، در سال ۱۹۶۸ به کابل سفر می‌کند و این غیچک را می‌خرد. ظرافت و دقتِ به کابرده شده در ساختن این غیچک، حکایت‌گر انحطاط سلیقه در روزگار ماست. قطع نظر از صدا، خود این غیچک یک اثر هنری برجسته است.
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“Guards left the gates, and the aliens entered the city, there was neither a way to go back into the past nor a hope to unlock the bright future. The only true paradise is that we have lost.” Purgatory with Turban, Eshraq, France, 29 x 39 cm, acrylics on cork. #namadgallery

“Guards left the gates, and the aliens entered the city, there was neither a way to go back into the past nor a hope to unlock the bright future. The only true paradise is that we have lost.”

Purgatory with Turban, Eshraq, France, 29 x 39 cm, acrylics on cork.

#namadgallery
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These Purgatory portraits are not only exhibitionism but an attempt at full disclosure of the morals of society. Eshraq’s unique way of using colours and shapes is the best way to describe the situation of 2021 in Afghanistan. White purgatory, acrylics on cork, 29 x 39 cm.

These Purgatory portraits are not only exhibitionism but an attempt at full disclosure of the morals of society. 

Eshraq’s unique way of using colours and shapes is the best way to describe the situation of 2021 in Afghanistan. 

White purgatory, acrylics on cork, 29 x 39 cm.
Marzia Panahi (@marziapanahi0) 's Twitter Profile Photo

1/2. At the moment, we can see your amateurs when you visit us in our VR gallery at Namad Gallery. Hopefully, we can also offer you a verbal interaction possibility in the coming months. #Afghanistan #VR #Gallery #Art #contemporaryart

1/2. At the moment, we can see your amateurs when you visit us in our VR gallery at Namad Gallery.
Hopefully, we can also offer you a verbal interaction possibility in the coming months. 

#Afghanistan #VR #Gallery #Art #contemporaryart
Marzia Panahi (@marziapanahi0) 's Twitter Profile Photo

2/2. So, you can visit the gallery with your beloved and discuss the artworks from different continents at the same time. Who says a totalitarian regime can stop our cultural and artistic activities? #Afghanistan #VR #Gallery #Art #Painting #Contemporary

2/2. So, you can visit the gallery with your beloved and discuss the artworks from different continents at the same time.

Who says a totalitarian regime can stop our cultural and artistic activities? 

#Afghanistan #VR #Gallery #Art #Painting #Contemporary
Marzia Panahi (@marziapanahi0) 's Twitter Profile Photo

l asked Leah whether there is an Afghan-owned gallery on Artsy. She checked and only a few Afghan artists were there, not any single Afghan art gallery. Namad Gallery joined Artsy as their partner. We are the 1st Afghan gallery on the largest online art marketplace.

l asked Leah whether there is an Afghan-owned gallery on <a href="/artsy/">Artsy</a>. She checked and only a few Afghan artists were there, not any single Afghan art gallery.

<a href="/Namadgalleryint/">Namad Gallery</a> joined Artsy as their partner. We are the 1st Afghan gallery on the largest online art marketplace.
Manizha Wafeq (@wwafeq) 's Twitter Profile Photo

“As we launch the global business forum for Afg. women, it is important to note the creation of such a platform and process for Afghan women business owners, both inside and outside the country, to connect, share, grow, and strategically advocate for their concerns and interests.

Namad Gallery (@namadgalleryint) 's Twitter Profile Photo

Behrang Ati's portrait collection, titled 'My Surrounding's Portraits,' captures a profound engagement with the creative process and an evaluation of societal themes. Follow this link to visit this collection on our Artsy page: artsy.net/show/namad-gal…

Behrang Ati's portrait collection, titled 'My Surrounding's Portraits,' captures a profound engagement with the creative process and an evaluation of societal themes. 

Follow this link to visit this collection on our <a href="/artsy/">Artsy</a> page:
artsy.net/show/namad-gal…
Namad Gallery (@namadgalleryint) 's Twitter Profile Photo

Behrang lived for a year under the Taliban’s regime in Afghanistan. The conditions become tougher each day since they started house-to-house searches all over the country. During this period, he completed a collection known as “The Unspoken Portraits”. Let's hear more from him 👇🏼

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Almond eye is another name of the third biggest ethnic group of Afghanistan, called Hazara. Their physical appearance has made their artists seem to fly. With Bamiyan, the holy site of Buddhists on the silk road in central Afghanistan, as their centre in Hazaristan, they became

Almond eye is another name of the third biggest ethnic group of Afghanistan, called Hazara.
Their physical appearance has made their artists seem to fly. With Bamiyan, the holy site of Buddhists on the silk road in central Afghanistan, as their centre in Hazaristan, they became
Namad Gallery (@namadgalleryint) 's Twitter Profile Photo

Buddha in Afghanistan In the 6th century AD, the towering Buddha statues, known as Salsal and Shah Mama, were carved into the mountains of Bamiyan, Afghanistan. These statues became a symbol of light and hope, drawing people to pray and meditate, making Bamiyan a holy city.

Buddha in Afghanistan 

In the 6th century AD, the towering Buddha statues, known as Salsal and Shah Mama, were carved into the mountains of Bamiyan, Afghanistan. These statues became a symbol of light and hope, drawing people to pray and meditate, making Bamiyan a holy city.
Namad Gallery (@namadgalleryint) 's Twitter Profile Photo

The Rooster is one of the recent works of Latif Eshraq, completed in the south of France in 2022. The used materials are dark and bright vivid acrylic colours on canvas with 25 cm height and 20 cm weight. For inquiries: namadgallery.com

The Rooster is one of the recent works of Latif Eshraq, completed in the south of France in 2022. The used materials are dark and bright vivid acrylic colours on canvas with 25 cm height and 20 cm weight. 

For inquiries: namadgallery.com