Twitter Beğeni Hilesi

Remember: Whoever you are, whatever you’re going through, you can talk to us. #SamaritansAwarenessDay 🔁 Retweet this and help us let more people know we’re here 24/7 on 116 123.

Do you know an art hero?! Sky Arts Awards is recognising the unsung heroes whose work is integral to the vibrant arts scene in the UK. Go to skyartsawards.sky/arts-hero to find out more and nominate your behind-the-scenes legend.

You put Suella Braverman in charge. You called asylum seekers “illegal immigrants”, knowing they’re not. You gave money, millions, to Rwanda instead of funding the processing of asylum applications. You placated the far-right with ever more violent rhetoric. You did this.

Starting the week in the Picton Reading Room Liverpool Libraries and Information Services & can’t stop thinking about what those mindless thugs did to another library down the road on Saturday. There’s a fundraising campaign to support the Spellow Library as it re-builds #HopeNotHate gofundme.com/f/books-for-sp…

I packed a small bag, said goodbye to parents, sobbing on the way, thinking I might never see them again. That's how I left Afghanistan in the midst of war, fearing for my life. What I also brought with me to the UK was a dream to rebuild my life. As a timid teenager because of

The violence and racism that we’ve seen over the weekend is distressing and frightening. Please know you are not alone. If you are struggling with everything that is going on you can talk to us free day or night on 116 123.

For nine months the press has deliberately misrepresented peaceful marches for palestine as hate marches, particularly painting muslims as terrorist sympathisers. That will have also fed into what is happening now.

Can we have some solidarity #geography community? Muslim, Black and Global Majority people are under attack. Education hasn't worked. Children are impacted the most. You know when you have privilege.

Got to muse about the power and possibility of map collections in this special issue of TIBG, which features me and the plenary speakers ahead of #aic2024 (August 27-30 Royal Geographical Society (with IBG) ). The conference theme is mapping and it’s full of great papers and events! rgs-ibg.onlinelibrary.wiley.com/toc/14755661/0…

To everyone in Nottingham.

deeply depressing to read a piece about the closure of the Birmingham Centre for Cultural Studies & Sociology which says that at least Goldsmiths had been able to develop these academic fields and 'became an exceptional locus for cultural studies inside the UK'

Students from MA Black British History MA Black British Literature (2015-2024) Goldsmiths Centre for Queer History programmes organised a brilliant demo yesterday, co-inciding with the meeting of council, to show support and solidarity to all staff affected by redundancies.

I just love how the media was all up for a night of wild violent news, but all Sky News and everyone else can see is thousands upon thousands of people all over the UK telling the fascists to fuck off. 😎 #FaragesRiots

📌 Call for submissions: Holding the Space: Shining a light on Black academics We invite scholars, students & practitioners to contribute to the conference on 15th January 2025 at University of Westminster 📷 Submission deadline: 16th September, visit holdingthespaceconference.co.uk

bbc.co.uk/news/articles/…

🤨 Warden Goldsmiths, University of London' s statement calls racist, fascist violence "unrest in the UK". Meanwhile, they are cancelling the MA's in Black lit & history + Queer History. #NotADoneDeal Please donate to strike fund ⤵️ gofundme.com/f/help-goldsmi…

powering down on this platform. If you want to find me, I'll be here from now on.🤟

Huge news for art historians: the first phase of ⁦The Courtauld⁩ Witt Library digitisation is now live. Search the British School artist boxes for images from private collections and pre-internet auction records. French School coming next week. photocollections.courtauld.ac.uk/sec-menu/searc…

‘The most deprived communities …were around four times more likely to lose a library than the richest.’ Cuts always hit the poorest hardest.

I didn’t know anyone working in a creative job when I was growing up (I went to a comprehensive in Newcastle) And it held me back. I internalised a belief that “people like me” don’t become writers. It’s really important that kids see “people like them” making art and stories.