
Quinn Latimer
@quinnlatimer
Like a Woman: Essays, Readings, Poems @SternbergPress /
Head of MA @Institut_Kunst / editor-in-chief of publications, documenta 14 documenta14.de/en/south/
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https://www.sternberg-press.com/product/like-a-woman-essays-readings-poems/ 03-11-2011 10:52:29
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Amazonia: Anthology as Cosmology edited by Kateryna Botanova and Quinn Latimer explores #Amazonia as a place, a subject, a point of view, and a socio-ecological world. mitpress.mit.edu/books/amazonia


Starting in one hour, another tribute to the great Etel Adnan. Presented by The University of Chicago. With ☀️ 🌤 ⛅️ 🌥, the poet Dot Devota, and Quinn Latimer. eventbrite.com/e/remembering-…


Less Letters or, A Poetics: A lecture-performance by Quinn Latimer 🗓️Thursday 16th June ⏰5.00pm - 6.30pm BST 📍In person + Livestream 🎟️Free, booking essential courtauld.ac.uk/whats-on/less-…


OUT NOW: This week’s missive presents an octet of columns wherein critics turn their critical eyes toward other critics, including Margaret Sundell & Jennifer Krasinski on Gary Indiana, Quinn Latimer on Carla Lonzi, lake micah on Margo Jefferson, and more 4columns.org

OUT NOW: jo livingstone on Lauren Berlant’s “On the Inconvenience of Other People,” elvia wilk on Quinn Latimer’s group show “SIREN (some poetics),” @johannafateman on a Moyra Davey film retrospective, and David O’Neill on hua hsu’s debut memoir “Stay True” 4columns.org

“The curatorial sensibility is flexible without being flimsy, like a sail oscillating between laxity and tension as air puffs and subsides.”—elvia wilk reviews “SIREN (some poetics),” a new group exhibition at Amant organized by poet and critic Quinn Latimer 4columns.org/wilk-elvia/sir…


'Obliquely activist, newly timeless, “Siren” sounds a contemporary cri de cœur. The title recalls Homer’s “Odyssey,” but also the ambulances of March 2020, the police cars of that June; the air-raid sirens of Beirut or Kyiv.' ty Travis Diehl The New York Times nytimes.com/2022/10/27/art…


"Instead of situating the siren call as a sound only perceptible by humans, Latimer posits a mode of listening that is metaphorical, contingent—and at the same time, often pleasurable." wendy vogel on SIREN, curated by Quinn Latimer for @art_agenda ow.ly/attW50Ljll2

Anton Jäger Btw, there is this thing by Quinn Latimer eastofborneo.org/articles/kalif…

... Jiaqi Kang (亢), Joanna Kavenna, Omar Kholeif, Quinn Latimer (Quinn Latimer), Max Lawton (Max Lawton), Joanna Lee, Jeremy Atherton Lin, Rebecca Liu (@becbecliuliu), @benoitploiseau, Kristian Vistrup Madsen, Željka Marošević, Cian McCourt, Jarred McGinnis...

Save the date for our MA symposium Genders of the Forests on 24 and 25 May in Basel and online. Moderated by chus martinez and Quinn Latimer, it will feature international artists, poets, thinkers, activists, curators, and hybrid others. Fachhochschule Nordwestschweiz FHNW dertank.ch/we-explore/gen…


OUT NOW: elvia wilk on Bang Geul Han at the 8th Floor gallery, Michelle Orange on Kelly Reichardt’s latest film “Showing Up,” Quinn Latimer on Annelyse Gelman’s epic poem “Vexations,” & Sasha Frere-Jones on Kevin Beasley’s new project “A View of a Landscape” 4columns.org

“While a specifically American present is lineated—all patriotic flourishes and school shootings—her book is also an archive of theoretical gleanings, both speculative and ecological.”—Quinn Latimer on Annelyse Gelman’s epic poem “Vexations” UChicagoPress 4columns.org/latimer-quinn/…

“The unsettling temporality of Satie’s ‘Vexations’—collectively performed, endured, embodied—might be analogous to Gelman’s narrative of time inflamed by the apocalyptic endings of life-forms.”—Quinn Latimer on Annelyse Gelman’s “Vexations” UChicagoPress 4columns.org/latimer-quinn/…

Heute, 15.4., 16 Uhr: Abschlussveranstaltung des Literaturprojekts “Displayed Words – Displaced” in der Klosterruine Berlin mit einer Lesung mit Don Mee Choi, Athena Farrokhzad, Quinn Latimer und Rike Scheffler. DAAD_Artists #CCABerlin @SenKultEu displayedwords.org


Save the date for our upcoming MA symposium entitled Shores of Sahara-Sahel: Waves, Forms, Futures, on 11 and 12 October in Basel and online. Organized in collaboration with #culturescape2023sahara, moderated by chus martinez Quinn Latimer. dertank.ch/we-explore/gen…


The program of our upcoming spring symposium on 15 and 16 May is online! Moderated by chus martinez and Quinn Latimer, the symposium will include Striding Crawling (1977) by #simoneforti performed by #clairefilmon #projetdici in der #TANK. dertank.ch/we-explore/gen…
