𝗖𝗼𝘂𝗻𝘁𝗲𝗿𝗽𝘂𝗯𝗹𝗶𝗰 𝟮𝟬𝟮𝟯'𝘀 𝗶𝗻𝗶𝘁𝗶𝗮𝗹 𝗮𝗿𝘁𝗶𝘀𝘁 𝗹𝗶𝘀𝘁 𝗶𝘀 𝗵𝗲𝗿𝗲. Learn more and see the full artist list at counterpublic.org (bit.ly/3OCQfVY). #counterpublic2023 #stlmade

This is how seriously #stl takes tornado warnings. See also: masks. #stlwx

Counterpublic is growing! We are excited to open applications for two new positions: Managing Director Communications + Editorial Coordinator Please share widely with anyone who may be interested! counterpublic.org/journal/two-op… #counterpublic2023 #stlmade #artsjobs #stlart

Overheard flying into St. Louis. A woman looks out the window at the Mississippi River and asks: “Is that the Mason-Dixon line?” It really just says so much.

Counterpublic is pleased to reveal plans for the first permanent public artwork by award-winning Ghanaian-British architect Sir David Adjaye to be donated to The Griot Museum of Black History. counterpublic.org/journal/david-… #counterpublic2023

A short piece I wrote about shaping @Counterpublic23 as an intro to a new series of conversations on MARCH: a journal of art & strategy on slowing down the art world through a more intentional approach to cyclical exhibitions.

Can triennials and other cyclical exhibitions carry the seeds of other art worlds less reliant on spectacle and extraction that these circuits have long perpetuated? New conversation with ruangrupa of #documenta15 for @Counterpublic23 MARCH: a journal of art & strategy march.international/triennials-out…

In Austin for the #stlmade #sxsw activation talking @Counterpublic23 with damondavis.eth Kaveh Razani, Pacia Elaine and Kranzberg Arts Foundation Send your peoples to 75 Rainey at 4pm. It’s already a party.

Today in The Guardian on @Counterpublic23 “In St Louis, the threads of change loom really large, and seeing that grassroots energy of this city, it sparked a lot of excitement. St Louis is really ripe for this kind of boundary-pushing.” theguardian.com/artanddesign/2…

At Counterpublic’s second iteration, Noah Simblist sees the St. Louis triennial taking stock of the city’s public spaces to reckon with histories of Indigenous displacement and racial violence. @Counterpublic23 e-flux.com/criticism/5372…

Counterpublic in St. Louis Pushes the Public-Art Envelope. Grateful for Siddhartha Mitter's considered review in the The New York Times online today and in print on Sunday. @Counterpublic23 nytimes.com/2023/05/09/art…