I will never forget the small Palestinian boy who was asked what he’s carrying in his backpack. He opened and showed the journalists the remaining bits and pieces of his baby brother’s body. That’s what comes to mind.

Se te ha caído esto, Santi.

I want everyone to see this because the West has dehumanised so much of our identity across the Middle East for centuries. They’ve been made to believe we come from nothing more than desert tents that flap in the wind. We come from culture. We must humanise our region and people.

The Haunting of Hill House (2018) isn’t just great horror…it’s a deeply human meditation on grief, memory, and family, wrapped in some of the most emotionally resonant storytelling the genre has seen in years.

FILM!

Retwitea si estás de acuerdo

Kesia es la madre de la primera víctima de la cacería racista de Torre Pacheco. A su hijo lo patearon. Lo arrastraron. Rompieron botellas de cristal para clavárselas. Cargos públicos de Vox compartieron los vídeos y jalearon la agresión. A un crío de 16 años. Quieren deshumanizar

Shouldn't be understated how brave these young people are. Especially when you've got fully grown men like David Draiman crying about how the IOF can't be criticised because it's "mandatory" to join.

En su cine todo es doloroso a la par que bello. Hoy celebramos los 67 años del director que mejor sabe retratar la nostalgia, el amor y desamor. Larga vida a Wong Kar Wai ❤️

Happy 67th birthday, Wong Kar-wai!

Modern day Hitler.

Once again, I’m completely in awe with Almodóvar’s meticulous attention to detail in set design. The number of visually compelling shots that come from Pepa’s apartment alone in Women on the Verge of a Nervous Breakdown (1988) is remarkable.

“Rue it’s time to put the drugs down—” Hans and Labrinth in the background

Old school cinematographers: - knew the physics of light, natural and artificial - how each film stock reacts to light -…in every type of condition and locale -knowledge of printing lights -how filters and lenses interact with light -hours and hours beyond your imagination

This should radicalise 99% of us

Agnès Varda with Susan Sontag in an interview for the New York Film Festival (1969) youtu.be/XTO61r_UjU4?si…

Ya lo decía Albert Camus: «Porque querer a una persona no es sólo decirlo, y ni tan siquiera sentirlo, es hacer los movimientos que eso requiere».

art will never ever be non political, especially for things like this one, may he rest in peace and FUCK ISRAEL