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On March 29, russian forces carried out an airstrike on the Mykolaiv administration building, killing 37 people. Here is how we established the exact trajectory of the missile and calculated its speed and size using only one video and simple 3d modeling 🧵#OSINT

Absolutely delighted to wake up to the news that the book I edited last year with Nicholas Korody, "Babyn Yar: Past, Present, Future" was awarded the 2022 Prize of the Stiftung Buchkunst! stiftung-buchkunst.de/news-events/pr… spectorbooks.com/babyn-yar

Разом з zaborona_media ми шукаємо свідків і свідкинь атаки на Маріупольський театр. В співпраці з очевидцями ми будуємо 3d архів подій в театрі.

(-_-(-_-(-_-)-_*)-_-) 18. September 2022 / 17:00 Theater Neumarkt "investigation . support" By Maksym Rokmaniko (Center for Spatial Technologies / Center for Spatial Technologies ) full program: tinyurl.com/2p43bsxw #SCRT #LovePlayFight #DeinNeumarkt

Last day today! (-_-(-_-(-_-)-_*)-_-) a performative conference on hacking, whistleblowing, surveillance and freedom of information ⚡️⚡️⚡️Today: war and digital partisans⚡️⚡️⚡️ Katharin Tai 戴愷琳 (@[email protected]) Yuliana Shemetovets @maxwsmeets Maksym Rokmaniko Center for Spatial Technologies donk_enby & Lorax B. Horne 𓂆

Impressive investigation by Forensic Architecture, showing that “a professional marksman repeatedly and explicitly targeted the journalists”

First 1000 images from Mariupol theater located around the 3d models at theater.spatialtech.info

One year ago, russia fired two cruise missiles at the Kyiv TV tower. #1 exploded below the control room, and #2 missed its aim, landing on the sidewalk in the vicinity of Babyn Yar, killing five civilians. Our joined investigation with Forensic Architecture: forensic-architecture.org/investigation/…

Center for Spatial Technologies and Forensis Maksym Rokmaniko and eyal weizman presenting an investigation on the Mariupol theatre massacre at the Gropius Bau Berlin this Monday

A CITY WITHIN A BUILDING: The Russian airstrike on the #Mariupol theater. Please watch this important piece by Center for Spatial Technologies Forensis Forensic Architecture telling the untold story of weeks of self-organization, solidarity, & resistance: a city within a building. youtube.com/watch?v=j4EOd5…

Reading the Parul Sehgal piece on the "tyranny of narrative" in the The New Yorker made me think of this essay I wrote for TANK in 2021. It aged O.K.! tankmagazine.com/issue-88/featu…

This is a standard technique adopted by RF before committing major war crimes. Here is how this technique was used in March 2022, when the russian air force bombed Mariupol Drama Theater #Zaporizhzhia

I feel proud to have worked on this incredibly well-researched podcast. In 2021, I travelled across England and France to interview 23 people, including Stafford Beer’s daughter Vanilla, his brother Ian, and many of his closest friends and collaborators.

Excited to present a paper on 1970s world models at ICI Berlin as part of this wonderful event happening in Berlin on the 28th of September. Registration required: ici-berlin.org/events/coding-…

Today the London Review of Books is publishing my piece about the history of the Israeli settlements around the Gaza Strip. It is an effort to think through the historical context of current events. lrb.co.uk/the-paper/v45/…

Our research into the Russian attack on the Mariupol Theater is out at theater.spatialtech.info and shared by Volodymyr Zelenskyy / Володимир Зеленський today — on the second anniversary of the bombing. Thank you to our witnesses and collaborators Forensic Architecture Forensis ECCHR who made this possible.

Proud to contribute to the work of Center for Spatial Technologies on the Russian attack on the Mariupol Theater of March 16, 2022. I second the team by expressing a deep gratitude to witnesses by sharing their testimonies. theater.spatialtech.info/en #labour_of_witnessing

The Taz attempts a criticism of our scientific methods, clumsily making several basic errors. When confronted about their falsehoods and misrepresentations they respond saying it’s only a cultural review.

With our support & Forensic Architecture our Ukrainian partners at Center for Spatial Technologies Center for Spatial Technologies released new additions to their spatial archive, gathering digital & visual evidence & testimonies from the Mariupol Theatre bombing 2 years ago. theater.spatialtech.info/en#media

🏆 The Mariupol Drama Theater – by Center for Spatial Technologies, Forensis, Forensic Architecture – investigated the bombing of the Mariupol Theater with an aim to assemble the voices of members of the theater diaspora within a digital project of reconstruction: theater.spatialtech.info/en