
Julia Bosson
@juliabosson




I reviewed Lifespan of a Fact for The Believer, an adaptation woefully on brand for 2018. Here’s to hoping 2019 has a tighter correspondence between reality & truth, or at least beauty and kindness believermag.com/logger/a-revie…

The Lifespan of a Fact closes this weekend on Broadway. Read Julia Bosson's review here believermag.com/logger/a-revie…




"In these essays, in all of Duras’ works, seduction runs through the language, fluid and elastic, teasing and testing." The Fragility of Marguerite Duras by Julia Bosson bombmagazine.org/articles/duras…


I fawned over Marguerite Duras’ “Me & Other Writings” (out from Dorothy, a publishing project) for BOMB: bombmagazine.org/articles/duras…

"And then, for me, the English language is very physical. It’s as though I have the words in my mouth. I feel them, I taste them, I move my tongue around them." This Wounded City: Annette Weisser Interviewed by Julia Bosson Semiotext(e) bombmagazine.org/articles/annet…


"Whether my work is fiction or nonfiction isn’t about the truthfulness of facts, but about deciding to have a slippery or uncanny or speculative quality to it." —Kate Zambreno An Aesthetic of Immediacy: Kate Zambreno Interviewed by Julia Bosson bombmagazine.org/articles/zambr…



my project, profiled in Tagesspiegel by Mascha Malburg. "schreiben, lügen, betrügen und saufen" is my new ars poetica plus.tagesspiegel.de/berlin/us-auto…

Berlin! Saturday! I'll be reading from my book & discussing Joseph Roth alongside Sanders Isaac Bernstein, @ajbwells, and Paul Scraton, among some other wonderful writers. lettretage.de/en/program/?ev…





Last February, I had the chance to talk to the brilliant and ever-generous Leslie Jamison about storytelling, failure, and the prickly, complicated project of recovery for BOMB Magazine. bombmagazine.org/articles/lesli…

I reviewed anne boyer’s excellent A Handbook of Disappointed Fate for BOMB Magazine: bombmagazine.org/articles/anne-…