Witches Ready to Fly, 1797 #artbots #goya

Best of birthdays to two goats, augie and sam fuller

If you’re free tonight come see Vittorio Cottafavi’s grandson introduce these Italian and Friulian masterpieces, unknown in the states

yeah!

Seated Woman, 1913 #artbots #schiele

narrowmarginquarterly.com is now online with issue 1 in its entirety. Thank you so much to everyone who has supported us in screenings and online. It's made me realize that a lot of us share this really deep, great feeling for cinema in our world. Next stop, Diagonale!

Narrow Margin Issue 1 is live! 80,000+ words on Luc Moullet and Vittorio Cottafavi. My humble writing contribution ~ 4,000 words on Cottafavi’s first television adaptation of Sophocles’ Antigone narrowmarginquarterly.com/01/antigone-is…

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Dave Kehr screened Samuel Fuller's great anti-racist western at MoMA some years ago to a scant audience (I remember gina telaroli there). Here's a different chance to see this unique movie.

Sam and I interviewed Luc Moullet for NM 01: narrowmarginquarterly.com/01/unknown-ter…

Guillaumin by the Road, 1866 #artbots #cezanne

cassavetes

insane. metrograph.com/category/don-s…

she judge on my priest til my sun shines bright

Bathers, 1905 #artbots #cezanne

this and a haddock chowder>

unfinished business, old, wholly negative things "A Sympathetic Worker" –– Barthes on Kazan's ON THE WATERFRONT, excised from most editions of Mythologies. New on Kino Slang: kinoslang.blogspot.com/2020/01/a-lett…

Lovers Man and Woman, 1914 #artbots #schiele