Carlos Valladares (@cvalladares0896) 's Twitter Profile
Carlos Valladares

@cvalladares0896

south central LA // yale phd film // in the Demy-monde

ID: 1391057882

linkhttps://letterboxd.com/cvall96/ calendar_today30-04-2013 03:26:37

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Yale Film Archive (@yalefilmarchive) 's Twitter Profile Photo

TONIGHT AT YALE: François Truffaut's THE STORY OF ADÈLE H. in 35mm, screening for its 50th anniversary in the "French 75" film series. bit.ly/yalefrench75 7 p.m. Thursday, April 3 HQ L01 (320 York in New Haven)

TONIGHT AT YALE: François Truffaut's THE STORY OF ADÈLE H. in 35mm, screening for its 50th anniversary in the "French 75" film series.
bit.ly/yalefrench75
7 p.m. Thursday, April 3
HQ L01 (320 York in New Haven)
Carlos Valladares (@cvalladares0896) 's Twitter Profile Photo

I profiled the indefatigable Jerry Schatzberg for Notebook on the occasion of his recent MoMA retrospective. Brew the coffee, it’s a long one: mubi.com/en/notebook/po…

Carlos Valladares (@cvalladares0896) 's Twitter Profile Photo

For BOMB Magazine , I spoke again with Charles Burnett in advance of the re-release of the restored KILLER OF SHEEP (1977), now with Dinah Washington's "Unforgettable". He's in New York this weekend for select Q-and-A's and intros at Film Forum. bombmagazine.org/articles/2025/…

Carlos Valladares (@cvalladares0896) 's Twitter Profile Photo

Excellent book of interviews (bought it in French last year) from a bizarrely terminally maligned director (mostly by Film Twitter people). Highly recommended. If anyone’s looking for me to review this, I’m around ✋🏾

Notebook (@mubinotebook) 's Twitter Profile Photo

"His photographs humble their iconic figures, gently pulling them down from the pedestal of fleeting celebrity; his films, too, marvel in the tripwire instability of everyday life’s tragicomic dimension, provoking audiences to laugh and cry in the same breath. But so far, the

"His photographs humble their iconic figures, gently pulling them down from the pedestal of fleeting celebrity; his films, too, marvel in the tripwire instability of everyday life’s tragicomic dimension, provoking audiences to laugh and cry in the same breath. But so far, the
Carlos Valladares (@cvalladares0896) 's Twitter Profile Photo

For Gagosian Quarterly, I had the great pleasure/honor/joy of dialoguing with moeko fujii on the new English translation of Shiguéhiko Hasumi’s landmark book on Yasujiro Ozu, released by University of California Press (is on Bluesky). Here’s our unexpurgated conversation: gagosian.com/quarterly/2024…

Jon W. (@rarefilmm) 's Twitter Profile Photo

This is incredible, it turns out THE DAY THE CLOWN CRIED does exist! It was reported today on Swedish TV that a former employee of Europafilm illegally copied the film onto VHS and held on to it for 45 years. Thanks to him, we might finally get to see this film in its entirety.

Criterion Collection (@criterion) 's Twitter Profile Photo

Unforgettable performances from Hackman and Al Pacino, the sensitive direction of Jerry Schatzberg, and the glowing landscape cinematography of Vilmos Zsigmond come together for one of the defining road movies of the 1970s—a tender, richly human portrait of two hard-luck

Unforgettable performances from Hackman and Al Pacino, the sensitive direction of Jerry Schatzberg, and the glowing landscape cinematography of Vilmos Zsigmond come together for one of the defining road movies of the 1970s—a tender, richly human portrait of two hard-luck
Carlos Valladares (@cvalladares0896) 's Twitter Profile Photo

One of the best songs Brian Wilson wrote was about the beauty of drinking water. WATER. Every time I drink water, I think of Brian Wilson. That's next level. RIP youtube.com/watch?v=EDd5Zm…

A S Hamrah (@hamrahrama) 's Twitter Profile Photo

Filmmakers today can’t stop showing their math, like they’re gonna be graded on it. Stuff like this doesn’t matter. What matters is if the film is good. The guy who did the Crow remake had a whole list too.