I profiled Giant Sparrow the studio behind What Remains of Edith Finch for The New York Times nytimes.com/2024/10/24/art…

Our next game hasn't been officially announced yet but there's a pretty big glimpse of it in this interview we did for the NY Times... nytimes.com/2024/10/24/art…

nytimes.com/2024/12/19/art…

Paper New York Times. 🥺 Thank you Christopher Byrd

nytimes.com/2024/12/27/art…

On what I thought were the best films of the year, and on making lists, for n+1 nplusonemag.com/online-only/on…

The best American director of his time.

What do the paintings of Goya, the writings of the Michel Foucoualt, and classic Disney animation have to do with a game set in an 18th century Spanish monastery? Check out my latest article for The New York Times on Stone of Madness. nytimes.com/2025/02/06/art…

I had some fun with this one: nytimes.com/2025/03/05/art…

The New Yorker has done me the incredible honor of profiling my life and career! In my wildest dreams I don't think I ever imagined this. Thank you to Chris Byrd for all the hard work on this piece. (link below)

Davey Wreden’s new video game, Wanderstop, belongs to a burgeoning genre of nonviolent titles devoted to relationships, crafting, exploration, and routine—to building, rather than destroying. nyer.cm/TR8yzPe

I profiled Davey Wreden the creator of The Stanley Parable, The Beginner’s Guide and Wanderstop for The New Yorker: The Game Designer Playing Through His Own Psyche newyorker.com/culture/person…

I’m happy to see this Lisa Lucas interview in The Believer thebeliever.net/an-interview-w…

I wrote about the superb Clair Obscur: Expedition 33 for The New York Times: nytimes.com/2025/05/07/art…

"Nothing tells memories from ordinary moments. Only afterwards do they claim remembrance on account of their scars."

Some thoughts on Elden Ring Nightreign: nytimes.com/2025/05/30/art…

You mean the war against cliche is lost.

I followed the Zohran Kwame Mamdani campaign for months — & every day over the last ten days — sometimes being the only reporter on scene as he traversed multiple boroughs. Read my intimate, first hand account of how Zohran Mamdani did what until last week was deemed impossible.

We gave The Alters | OUT NOW 🐑 a The New York Times Critic’s Pick: nytimes.com/2025/06/25/art…

I wrote about Little Nightmares III for The New York Times: nytimes.com/2025/10/17/art…