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The portrait of happiness

"That's here. That's home. That's us." One of the last photos I ever took, this image of Earth – our Pale Blue Dot – was captured on Feb. 14, 1990, as I was speeding out of the solar system. Be good to one another, Earthlings. -V1

Seeds of Reflection (Lemaître)

One of my favorite project was bitPaintr from around 10 years ago, where I let anyone on internet control my robots. Instead of beauty everyone chose chaos.

Bitcoin and Beyond Ep16: CENTS by Rutherford Chang with sovrn.art co-founder shibboleth 22 May 12pm ET youtube.com/live/nVuRsznJW…

6/ The genius is in the incentive structure. The physical lithograph box displays your NFT art beautifully in your home,giving you a reason to keep the device powered on 24/7. While it displays your art, it's also preserving the entire collection for the community.

Art on Ethereum #2 Tomorrow @ 4PM UTC Ethereum art updates + a Ted Talk-style talk Featuring diid and his talk titled: "Onchain Art is Boring" Set a reminder 👇 x.com/i/spaces/1rmxP…

Trying to imagine telling my curious 2015 self that in 2025 people would be on chain collecting pseudonymous identities and agentic artists Preposterous how far it’s come and how much more there is to explore

„I don’t set out to create something that’s obsessive, it kind of just happens.” „I think of myself as a minimalist hoarder. There are so many things you can collect and so many ways that you can collect them. I have pretty strict rules about what I would collect.” „I’m not x.com/thedaoistpunk/…

The CVPR AI Art Gallery is only with lots of amazing AI artists. Honored to have my Reflections on Mechanical Creativity included. @cvpr Luba Elliott @ CVPR

Honored that CENTS by Rutherford Chang will be featured at Art Basel in Arab Bank Switzerland's BANKABLE exhibition of blockchain art. The 1971 Cents will be on view, representing the year that US currency became fiat. The work will appear as part of an excellent curation by

some updates since Suzanne published this thread on Pindar Van Arman 💎 1/7 🧵 Van Arman's art over the last years has followed two major threads. One is serials, which has made his work accessible to a wider audience. The other thread is robotic painting, an exploration of the physical

5/ In February of 2024, Van Arman executed his reflective AI process fully on-chain with the Sovrn curated collection titled Reflection. Here, the visual thought processes of Van Arman's reflective system are carried out solely in Solidity, Ethereum's smart contract

6/ Van Arman's work is entering a second museum collection. In 2022, AI Imagined Portrait Painted by a Robot #2 entered the collection of LACMA in a donation from Cozomo de' Medici. Now, Reflection is entering the collection of the Fransisco Carolinum Museum in Linz through

reminding me of this newspaper remix piece Rutherford Chang did back in 2004 Alphabetized Newspaper

“Make art, not war” is one of the most hollow platitudes in the art world. A more honest call would be: make art that declares war on the powers that be, on the oppressors, on those who keep the machinery of political violence running. Artists who sit on the fence are often

Whenever I exhibit Digital Zones, I try to convince the exhibitor to temporarily take custody of the token. This is for provenance, but also in keeping with the spirit of the Digital Zones project (and Yves Klein), which is about the imperfect equivalency of ownership and

BANKABLE will be on view at Art Basel June 15-21 with Arab Bank Switzerland 👊👊 The set of 1971 CENTS exhibited here embody a key rift in the ontology of value that ultimately led to the creation of Bitcoin. In the context of the artwork, the fiatization of US currency in '71 represents

hey verse you have a fake Pindar Van Arman 💎 series listed in his page at your website. Please take that down. verse.works/series/emergin…

It all started with Emerging Faces in 2017, then there were 128 First Sparks at Views NY in 2018, then 100 AI Imagined Faces On-Chain at Bright Moments Tokyo in 2023.