Dass ein #GAU eine #Tragödie ist, die jahrzehntelang anhält, hat der Fotograf Jeremie Souteyrat für das EWS Energiewende-Magazin festgehalten: ews-schoenau.de/energiewende-m… (5)

I will give a talk at Japan House London this coming Thursday about my work on Japanese architecture, followed by a book sign of #tokyonoie. See you there, hopefully! #photography #architecturephotography #london #japan #japanhouselondon

My latest assignment for The New York Times is now online. Only a few seats left for the shows of the brilliant Belarus Free Theatre at Barbican Centre, tomorrow and Saturday. nytimes.com/2022/03/10/the…

The Belarus Free Theater’s latest show, a play set in 2049 in which a dictator has eliminated nearly all opposition, is the underground company’s latest attempt in its 17-year existence to warn about rising authoritarianism in Eastern Europe. nyti.ms/3MIPl9x

My latest work for The New York Times has been published today in the print and last week online. The exiled Belarus Free Theater, gave 4 performances last week at Barbican Centre of their play "Dogs of Europe". I had the chance to photograph one of the rehearsals in London.

After so many years attending PechaKucha in Tokyo where it was created, I will eventually pass on the other side of the mic and give a short talk tomorrow at Pecha Kucha London vol. 31, 20 slides x 20sec. See you there hopefully! PechaKucha London #tokyonoie eventbrite.co.uk/e/pechakucha-l…

Few theatrical productions have quite as much academic input as Punchdrunk's new epic on the fall of Troy nytimes.com/2022/04/19/the… Whether you notice or not, is another matter!

Today in The New York Times: "Getting The Greek Details Right". Portraits of @Emma_Cole1, an expert in ancient Greek theater, Maxine Doyle & Felix Barrett, directors of the theater company Punchdrunk . Their latest play "The Burnt City" runs until 04 Dec. Text by Alex Marshall

Elle mène depuis 5 ans la London School of Economics dans la tempête de la pandémie et de la « guerre culturelle ». Ma rencontre avec la passionnante Minouche Shafik, à lire dans Les Echos Week-End lesechos.fr/weekend/busine…

Published last week in Les Echos Week-End: A portrait of Minouche Shafik, brilliant director of LSE. Glad to have been able to also shoot LSE's campus, including the beautiful Saw Swee Hock Student Centre by O'Donnell + Tuomey. lesechos.fr/weekend/busine…

The small island of Jersey spent years cleaning up its reputation as an opaque offshore center. Now it is clamping down on one of its most high profile clients: Roman Abramovich. W/ Margot Patrick wsj.com/articles/roman…

A day trip to #Jersey island published last week in The Wall Street Journal The story is about Russian oligarch's assets being frozen by the island authorities, but I had the opportunity to show a wider view of this tax haven island. Nice to work there with Max Colchester #🇬🇧🇫🇷🇺🇸 ©Jérémie Souteyrat

Many thanks to Dave Cole for this opportunity!

Published yesterday in The New York Times : A portrait of Steven Knight, British director and creator of the Netflix series Peaky Blinders Pictures ©Jérémie Souteyrat nytimes.com/2022/06/10/art… #stevenknight #series #peakyblinders #director

My latest work for The New York Times : A hot topic about how large-scale infill developments may help to fight climate change, illustrated at London's Elephant and Castle. Story by Peter Wilson. Pics © Jérémie Souteyrat nytimes.com/2022/09/19/cli…

My latest photo and video work for Groupe Bouygues brought me last spring to the construction site of HS2 Ltd , UK's future high-speed train service between London and northern England. Pictures ©Jérémie Souteyrat for Groupe Bouygues

#HappyNewYear to you all my friends, partners and clients all over the world. A big Thank You for your trust and support. I wish you all the best for 2023, full of joy and happiness! Picture: London Cityscape 2022, © Jérémie Souteyrat