Starting 4/8 at Brooklyn Museum, visit Guadalupe Maravilla’s Tierra Blanca Joven exhibit, which features sculptures & more reflecting the experience of displacement from #ElSalvador & across time. General admission free with NYU ID. bit.ly/3LA5flb #NYUTandonMade

Our FT Weekend Magazine cover story this weekend is a mind-expanding romp through the scientific, cultural and culinary dimensions of mushrooms written by 🥩🥩Tim Hayward🥩🥩 with stunning photography by Phyllis Ma on.ft.com/3ra2MGy

Our latest exhibition, From Near and Far, is reviewed in The Times and The Sunday Times! Bringing together 16 contemporary female artists, the exhibition focuses on collage as a concept and an art form. On until 23 July. thetimes.co.uk/article/collag…

A great read in New Scientist's first 2023 edition by Danielle Olsen Wellcome on how arts and science can work together to take on global mental health #Mindscapes

"Of Whales" by Wu Tsang opens Feb 21 at @museothyssen. A realtime video installation that offers a poetic meditation on the whale's perspective, originally commissioned for the 59th Venice Biennale: tba21.org/#item--wutsang…

“There are these passages where they are squeezing the whale blubber that are so perverse,” the artist Wu Tsang said of Herman Melville’s "Moby-Dick." nyti.ms/3k4RmUc

New London exhibition exploring the theme of 'States of Violence': 24 March - 08 April, 6 Stannary Street, London, SE11 4AA | A/POLITICAL #FreeAssangeNOW

Take part in a new film. Mental health is one of the biggest challenges facing humanity today. But silence and stigma are preventing progress. That’s why this new crowdsourced film project is so important. Get involved at ihopethishelpsfilm.com #IHopeThisHelps

Join us on #TheIsland for a unique experience at the forefront of #onchain and interdisciplinary discourse. Our platform bridges the gap between art and digital audiences, encouraging dialogue and exploration of new ideas within the art world.

Read as Bruce LaBruce talks to AnOther Magazine's Sam Moore about his latest project: a pornographic remake of Pasolini's Teorema. A/POLITICAL anothermag.com/design-living/…

In Wallpaper* , Will Jennings  discusses how art, science, and activism coalesce in Thus waves come in pairs, a @TBA21Academy exhibition convening Simone Fattal, and artist duo Petrit Halilaj & Álvaro Urbano wallpaper.com/art/art-thus-w…

For Interview Magazine , Jad Salfiti interviewed Bruce LaBruce to discuss his latest project with A/POLITICAL : a porn remake of Pasolini's Teorema. interviewmagazine.com/film/bruce-lab…

For Where the Leaves Fall, Madeleine Bazil sat down with TBA21 | Thyssen-Bornemisza Art Contemporary curator Daniela Zyman to discuss Remedios, a new exhibition in Cordoba's C3A Centro de Creación Contemporánea de Andalucía. wheretheleavesfall.com/explore/articl…

Art exhibitions in the age of extinction. Wrote about the Venice weather shows for e-flux criticism e-flux.com/criticism/5514…

Just announced: Artist Sara Sadik has been commissioned for BMW Open Work at Frieze London 2023 forbes.com/sites/nargessb…

For The Times and The Sunday Times, jane mulkerrins recently visited and reviewed De Durgerdam, a hotel in the beautiful Amsterdam hinterland for a weekend of wild swimming, outstanding food at De Mark, the hotel’s restaurant, and art. thetimes.co.uk/article/the-am…

For Frieze, evan moffitt reviewed German painter Florian Krewer's first solo museum exhibition in the U.S. everybody rise is on view at the Aspen Art Museum frieze.com/article/floria…

We are looking forward to Frieze Seoul where we will present a group exhibition that explores the power and instability of contemporary portraiture.⁠ Find us at Booth A37, 6–9 September 2023. Click to find out more: stephenfriedman.com/art-fairs/75-f… Frieze

We're so delighted to see Nairy Baghramian, whose solo exhibition Jupon de Corps is currently on show at the Aspen Art Museum, profiled in the The New York Times ahead of her The Metropolitan Museum of Art facade commission unveiling today. kurimanzutto nytimes.com/2023/09/06/art…

Roberto Gil de Montes worked steadily as a professional painter for decades, out of the global spotlight. In 2020, after one call from a Mexico City gallery, things “changed dramatically,” he said. nyti.ms/3tAtegn