#Divineinventionplay is done. Thank you Summerhall Edinburgh Festival Fringe Sending love and strength and solidarity to every single other artist here.

" It’s easy to say that star ratings are just a fact of life. But so once was smallpox. We could change, but the thing is I’m not entirely convinced we want to." Edinburgh Fringe fuels theatre’s co-dependent relationship with star ratings thestage.co.uk/opinion/edinbu…

Just another reminder to those of you Edinburgh Festival Fringe that you should absolutely go and see REVENGE: After The Levoyah Summerhall. It’s so well directed and written and acted. And I did the sound design. Which is also pretty good!

Sorry to say I’m finding the lack of Jewish creatives on this show disappointing.

What happened with Elia Kazan and Arthur Miller is entirely knotted into post WW2 antisemitism and I don’t trust the dramaturgy or perspective of a show about this without any Jews involved in the storytelling.

I thought maybe we were past this in London theatre. But the lack of meaningful inclusion of Jewish artists in Jewish stories is shameful.

I still meet people who don’t actually know Arthur Miller was Jewish and this is because he had to play down that side of him as so many Jewish artists did in the 50s. But so many of his plays are clearly implicitly Jewish coded.

There are talented American Jews in London theatre who I would think might be good options to work on this show.

Most importantly I think a show about an American-Jewish intersection told by a British gentile team is making work that will be less rich and interesting than it could and should be.

After Hershel Fink and Falsettos it is almost funny watching other theatres and producers say. That was a them problem not an us problem. We are good people. We can tell these stories because we are smart good people.

Just seen the content warnings which make it pretty evident that antisemitism, Judaism and the holocaust are a part of this play. Who needs Jewish creatives though?

How it started / How it ended Proof that Libby Rodliffe Nicky Allpress Prentice Productions Brock Media & Daze Corder are all st★rs

The Paralympics start tomorrow, and to mark the occasion my play TETHER is being broadcast on BBC Radio 4. It feels like time travel to go straight from this year’s edfringe - Tether was my first fringe show when the Paralympics 2012 were in London …

Sorry it's taken me so long to write... ✍️ Nine months since I became Artistic Director, today Team Royal Court are announcing THE WRITERS' CARD to call together the playwriting community. Read my letter to writers then come join us: royalcourttheatre.com/playwriting/a-…

Was so good to be in such a positive, open & welcoming rehearsal this morning with the Breach team - we have two London previews before we embark on our UK tour, so if you missed out in Edinburgh and want to catch this new staging, book your 🎟️! thealbany.org.uk/shows/after-th…

What are some great two hander plays that take place in a single setting (a room) in real time (an hour). Writing one of these and would love to read some masterly examples!

if you are around in London next week, please come and join us next week BatterseaArtsCentre !

What a devastating result. Time to say bye for now to this platform.