Excited to share the articles from a special issue on Relocating Video Cultures now available online (IJCS). This project brought together experts in markets less well covered to explain how the norms of tv/film that preceded streaming shaped streaming adoption to date.

New #openaccess publication with Julia Noordegraaf & Rens Vliegenthart just out in Kim Akass! We dig into the concept of locality 🌍 on #Netflix and propose a methodological framework using industry data 📊, textual analysis 📺, and reception research 🧐. doi.org/10.1177/174960…

Very pleased to announce that European Cinema in the Streaming Era has been published! The book's introduction and foreword (the latter from Ramon Lobato) can be freely downloaded here (1): researchgate.net/publication/37…

Join us at this morning at #MI2024 to hear what it’s like to produce content for streamers! @NinaVindum & I have organized a panel on *Streaming Production Cultures* featuring fantastic research from Ishita Tiwary, Hanna Surma, & Taeyoung Kim. 🎥🎬🎞️

📣 CfP on "Streaming Production Cultures" for a special issue of TV & New Media guest edited by @NinaVindum and myself. Details & submission form: forms.gle/wawgdqAz3ZhRiZ…

🗓️ Reminder that the deadline for abstracts is this Friday, don't forget to submit if you're interested in contributing!

NEW FREE REPORT on the top players in the European audiovisual industries! Get it here ▶️ go.coe.int/KLUeB Among the top 100 players: 🌐broadcasters took the lion’s share: 68% 🌐followed by telco-driven companies: 20% 🌐and pure SVOD players: 12% #television #Streaming

Sharing some of my research on European Netflix productions with Davide Abbatescianni for Cineuropa. We discussed how the streamer shapes 🎥 production work as well as 📝 storytelling practices. 🔗 Full article here: cineuropa.org/en/interview/4…

Looking forward to participating in this fantastic (open) event organized by Hanna Surma at Utrecht University in a couple of weeks! @NinaVindum and I will be discussing how Euro screen workers navigate global streamers. Link to register: uu.nl/en/events/stre…

Grateful for the opportunity to attend Streaming Production Cultures and Innovative Methods for VOD research workshop at Utrecht University. Inspiring mix of qualitative and quantitative approaches. Many thanks to Hanna Surma, Karin Van Es and Ramon Lobato for organizing!#postdoc

In beautiful Ljubljana for ecrea_eu #ECREA2024. Talking all things Viaplay on Thursday morning with Sandra Becker in the “Video-on-demand strategies” panel, come join us! 🇳🇱 📺 ✨

📈 We're trending! In "Dependence in the online screen industry," Thomas Poell and I identify four major interrelated sources of dependence encountered by cultural producers across the online screen industry. Full article #openaccess in MCS Journal : journals.sagepub.com/doi/10.1177/01…

NEW report on the use of #AI in our cinema, TV and streaming industries. What are the risks and chances? PDF here▶️ go.coe.int/fgJDW We're asking: 🌐What about copyright and personality rights? 🌐And potential job loss? 🌐And what data protection issues arise? Just out!

📣 Defending my PhD on January 29th in Amsterdam! If you’re interested in streaming and would like to watch in person or online, message me. 😊 uva.nl/en/content/new…

A global mental health crisis plagues creative professionals, with two-thirds reporting work-related health issues. Despite this, they remain in jobs causing anxiety, depression, and burnout creativesunite.eu/article/longst…

📱📺 My musings on Netflix’s second-screen shows in The The Conversation Canada today. #Netflix #streaming #contentstrategy #secondscreen theconversation.com/too-distracted…

Interview with me for the Creative Labour and Critical Futures website on AI governance and more! criticaldigitalmethods.ca/creative-labou…

CfP Special Issue on Cultural Workers and Generative AI for AI & Society journal, co-edited by me, Daphne Rena Idiz and ℤ𝕠𝕖 𝔾𝕝𝕒𝕥𝕥 ✨️. Deadline for sending abstracts: June 30 link.springer.com/journal/146/up…