That shouldn't be a question, if you like videogames your priority should be the formal language of videogames, what can be roughly called "the gameplay"

Cada dia que passa eu tenho mais absoluta certeza que os fãs de Red Dead 2 não gostam de videogame

This is the happiest day in my life (i am one of the 15 ppl who own a copy of this for the Wii U)

The worst thing that ever happened to the racing genre is all the slow death of Arcade Racing games, everything wanting to be some form of simulation nowadays is just sad

Every time that I think about Super Mario Galaxy (what happens with some frequency) I think it might be the best game I've ever played

Independente de ser bait ou n, muita gente pensa assim e isso é bem triste

We can talk about cinematographical influences in videogames. And while i don't think this is a direct influence, most late 90s fixed perspective games are set like 70s Jacques Rivette movies. "Celine and Julie Go Boating" specially have really the same spatial logic

Notem como essa 'justificativa' para a terceirização da experiência estética cumpre dupla função: primeiro, imuniza o comportamento contra a crítica, escorando-se num falacioso discurso de consciência social; segundo, mascara a verdadeira pulsão que a move. A questão aqui não é a

Sabrina Carpenter making a performance with the theme being 90s Beat em' Up

Phenomenology seems to be a common interest among people in game studies field, while very few of them actually engage with phenomenology (i.e., the philosophical tradition)