Featuring in ‘A Three-Dimensional Sky’ @kristinhjellegjerdegallery ‘Hard Copy (Crashing Waves I)’, 2018, etched and inked zinc, 70x70cm. Show runs until 11th May, Tues-Sat 11am-6pm. #intaglio #etching #photoetching... facebook.com/560940693/post…

TONIGHT I am in-conversation with @jon_sharples as part of my solo exhibition ‘A Three-Dimensional Sky’ @kristinhjellegjerdegallery The gallery will be open from 6.30pm and the talk will begin at 7pm. Please note the... facebook.com/560940693/post…

There’s a little over 2 weeks left to see my solo show ‘A Three-Dimensional Sky’ @kristinhjellegjerdegallery on until 11th May. @filmyard_art and I are currently working on the film of the talk with Jon Sharples... facebook.com/560940693/post…

So difficult to photograph, which is part of the magic of the work. How the cut spaces and shadows relate to the space beyond the work and change in the light can’t be captured on Instagram, one needs to stand in... facebook.com/560940693/post…

Left to right: ‘An Opening’, 2019, hand-cut lens tissue and pigment print, 44x53.5cm: ‘Summit II’, Hans-cut Kozo paper, 60x60cm installed @kristinhjellegjerdegallery as part of ‘A Three-Dimensional Sky’ on until this... facebook.com/560940693/post…

Had a peaceful day sitting with ‘The Weight of Things (Summit I&II)’ etched and inked steel, last day to catch them is tomorrow! Thank you to all who dropped by today and to @hedvigliestoel for the great company.... facebook.com/560940693/post…

My work ‘Hard Copy (Liquid Light)’, was selected by independent critic, writer and curator Sacha Craddock for #creeksideopen2019 @aptgallery 13th June – 7th July, Thursday – Sunday 12 – 5pm. There’s also a prize... facebook.com/560940693/post…

Dark Light, 2016–19, pencil rubbing on archival pigment print; carborundum and graphite powder stencil (floor), dimensions variable, installed in ‘Piecemeals’, my most recent exhibition with @elena_gilev_ceramics And... facebook.com/560940693/post…

‘A Fugitive Sky’ 2019, Hand-cut photo positive on over head projector on oak plinth; projection onto hand-cut synthetic paper, installed as part of ‘Piecemeals’ exhibition last month with @elena_gilev_ceramics and... facebook.com/560940693/post…

‘Hard Copy (Shroud) II’ installed in Piecemeals exhibition featuring myself with @elena_gilev_ceramics and @mina_anastasia . Etched and inked copper from hand-cut paper stencil, 2019. #intaglio #etching #copper #printmaking #otherspaces #virtualwindow #foucault #bitmap

Looking forward to showing “An Opening” at upcoming art fair @enterartfair Copenhagen with @kristinhjellegjerdegallery 29th August – 1st September. Image: An Opening, 2019, hand-cut lens tissue and archival pigment... facebook.com/560940693/post…

‘Blind Light’, shortlisted for Dentons Art Prize selected by @niamhmwhite and Tim A Shaw Hand-cut archival digital print suspended within a frame, 97x127cm. #dentonsartprize #drawing #printmaking #photography... facebook.com/560940693/post…

Another work selected for Denton’s Art Prize 8 by @niamhmwhite and Tim A Shaw I particularly like this piece ‘Losing Sight’ because many assume it’s simply a black and white photograph. On closer inspection... facebook.com/560940693/post…

The final hand-cut pigment print that was selected by Niamh White and Tim A Shaw for Denton’s Art Prize 8. A photograph of a window was printed on a declining printer then re-photographed and reprinted before... facebook.com/560940693/post…

If you’re in Miami Beach for @untitledartfair make sure to visit @kristinhjellegjerdegallery featuring the wonderful paintings of @audun_alvestad and if you ask nicely you can find my ‘Crashing Waves’ papercuts in... facebook.com/560940693/post…

What a way to end the year, last night I was awarded #dentonsartprize by #markwallinger @amiecorry and @susie9hamilton at Dentons law firm. Special commendations went to Eskander and @madelynnmaegreen as well as the... facebook.com/560940693/post…

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