"My favorite way of spending my time is to come into my studio and commit myself totally to painting and thinking about painting." Suzan Frecon discusses her new paintings on view at David Zwirner Hong Kong. zwrnr.art/SuzanFreconDZHK

#MoMAMagazine editors look back on some of their favorite stories of 2019:

One pleasure of a great portrait is the unending present exposure it offers us—the sitter about to reveal something bit.ly/2m5QhZy

Berenice Abbott’s client list in 'Paris Portraits, 1925-1930' is dizzying, writes @prudencepeiffer bit.ly/2m5QhZy

review of berenice abbott’s paris portraits by my mega talented wife @prudencepeiffer nybooks.com/daily/2017/03/…

A new water bottle that is biodegrable and eatable — saving 1 billion bottles of waste per year

In the new issue, @prudencepeiffer on Lynne Tillman's Madame Realism, "a work of art who discusses works of art" bit.ly/2p9RjYQ

Congress made it possible for your ISP to sell your internet history. Not cool. This is how to keep it private. magenta.as/3-easy-steps-t…

Lors du KIKK Festival On recevra Aude Degrassat (audelet) vendredi sur notre plateau en direct à 15h #Kikk17

fastcodesign.com/90153796/the-9…

In "Crossing Lines," Richard Tuttle, channeling Agnes Martin, introduces a concept which he calls "augmentation"—a relationship & exchange between two artists’ works that goes beyond simple comparison @prudencepeiffer Pace Gallery bit.ly/2BRrD9G

LaToya Ruby Frazier uses Gavin Brown enterprise’s grand, multistory Harlem building to great effect, staging her own grand, multistory portrait of the contemporary United States, writes @prudencepeiffer bit.ly/2nUDbR5

Don't miss the first-ever English publication of The Psychology of an Art Writer, written in 1903 by the singular British aesthetician Vernon Lee (nom de plume of Violet Paget). Link to book and excerpt from The Paris Review: zwrnr.art/DZBVernonLee