Brad Becker-Parton (@brad_bp) 's Twitter Profile
Brad Becker-Parton

@brad_bp

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calendar_today16-12-2010 21:51:04

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Brad Becker-Parton (@brad_bp) 's Twitter Profile Photo

From Filmmaker Magazine piece on Sundance -- this is genuinely a big problem! Most films aren't meant to be immediately vulnerable to "takes". I would love to see Sundance/festival/smarter people than me work with sites like Rotten Tomatoes on this as virtual fests become new normal

From <a href="/FilmmakerMag/">Filmmaker Magazine</a> piece on Sundance -- 

this is genuinely a big problem! Most films aren't meant to be immediately vulnerable to "takes". I would love to see Sundance/festival/smarter people than me work with sites like Rotten Tomatoes on this as virtual fests become new normal
Guy Lodge (@guylodge) 's Twitter Profile Photo

I was rather taken with ITALIAN STUDIES, a jagged, sidewalk-shuffling take on an old melodramatic premise, in which Vanessa Kirby continues to be very, very interesting. Review: variety.com/2022/film/revi…

Robert Daniels (@812filmreviews) 's Twitter Profile Photo

Really liked MASTER starring Regina Hall. A lot of people will make the easy comparison to GET OUT (what's new). But I think this frightening film takes other routes, and does them well. My #Sundance review via IndieWire indiewire.com/2022/01/master…

New York Times Arts (@nytimesarts) 's Twitter Profile Photo

Our critic 32 across has watched 21 films (so far) at the Sundance Film Festival and says it offers good news about the health of indie cinema, from found-footage documentaries like “Fire of Love” to “Get Out”-influenced horror dramas like “Master.” nyti.ms/3r0lS27

Richard Brody (@tnyfrontrow) 's Twitter Profile Photo

Master, Mariama Diallo's remarkable first feature, uses horror tropes like X-rays to reveal real-life horrors of history—and of the present day; it opens Friday in theatres and on Prime Video newyorker.com/culture/the-fr…

Alamo Drafthouse NYC (@alamonyc) 's Twitter Profile Photo

"A towering, inventive shot in the arm for Black horror." - IndieWire Join us this Friday in Brooklyn for a live Q&A with writer/director Mariama Diallo following a screening of her latest thriller, Master. tix: drafthouse.com/nyc/event/live…

"A towering, inventive shot in the arm for Black horror." - <a href="/IndieWire/">IndieWire</a> 

Join us this Friday in Brooklyn for a live Q&amp;A with writer/director Mariama Diallo following a screening of her latest thriller, Master.

tix: drafthouse.com/nyc/event/live…
Robert Daniels (@812filmreviews) 's Twitter Profile Photo

Mariama Diallo’s MASTER remains among the best 2022 films so far. Smart, enthralling horror film mining supernatural shocks from inherent horrors. Regina Hall is immaculate. Really hope people seek this out (currently streaming on Prime)

Mariama Diallo’s MASTER remains among the best 2022 films so far. Smart, enthralling horror film mining supernatural shocks from inherent horrors. Regina Hall is immaculate. Really hope people seek this out (currently streaming on Prime)
Brad Becker-Parton (@brad_bp) 's Twitter Profile Photo

Really love this piece on MASTER by jason. A deep, generous reading of the film that best understands Mariama's ambitions for the film of anything I've read so far! wired.com/story/master-m…

Brad Becker-Parton (@brad_bp) 's Twitter Profile Photo

This was my favorite movie I saw at Sundance (in the “movies I did not produce” division of course) and the most original and surprising movie I have seen in a long time. Highest recommendation!

NEON (@neonrated) 's Twitter Profile Photo

STRESS POSITIONS "is part of queer cinema's new vanguard." Opens in NYC on April 19th and everywhere April 26th. Early access screening at IFC Center on 4/15 with an in-person Q&A with director Theda Hammel and John Early. Get tickets now: ifccenter.com/films/stress-p…