Last chance to dance in the rain! #MonsoonWeddingSAW plays its final performances this weekend ☔️🌼 Get tix > stannswarehouse.org

Season 40!

The Adroit Journal is thrilled to announce that our 51st issue is officially published and can be found through the link in our bio. Issue 51 is full of poetry, prose, enlightenments, and, for the first time, translations! 🌟 Thank you to all of our talented contributors!

X, will you please watch my newest short film? vimeo.com/1039292588

A Eulogy for Roman opens this week. The immersive play has performances in the West Village, the Lower East Side, and Park Slope every week! spincyclenyc.com/index.php/thea…

9 killer manuscript mistakes made by self-publishing writers (& how to fix them). #writingtips #writing bit.ly/43a0ivr

“I said in the preface to ‘Shikasta’ that if you read the Old Testament and the New Testament and the Apocrypha and the Koran you find a continuing story.” —Doris Lessing buff.ly/tAttCGC

From Issue 53: An excerpt of the poem “Common Tongue” by Brian Gyamfi. You can read the full poem and more at the link in our bio! 💛

Our summer 2025 edition—The Believer’s 150th issue!—is out now. Here’s what you’ll find inside. thebeliever.net/product/summer…

Happy Franz Kafka's "July 1. Too tired." day

Our 7/24 issue is now online, with James Gleick on AI nonsense, Joyce Carol Oates on serial killers and toxic metals, Lola Seaton on Sheila Heti, Casey Williams on degrowth, Regina Marler on the Brothers Grimm, Michelle Nijhuis on what we save, and much more. go.nybooks.com/4nO3CED

We started in the basement of a supermarket in Chelsea (you could hear shopping carts rolling above you during a show)

🙌 Thank you to the future mayor of NYC Zohran Kwame Mamdani for taking my Vulture questionnaire.

Getting older, I find time getting faster and faster, like the metronome’s set to presto. I swear, it’s breakfast every fifteen minutes.

Michael Lentz’s Schattenfroh: A Requiem, writes Anahid Nersessian, is “a bleak, confounding, and finally brilliant doorstopper of a novel.” go.nybooks.com/3Iahd9d

“Fear is isolating for those that fear. And I have come to believe that fear is a cruelty to those who are feared.” —from “No-Man’s-Land,” an essay by Eula Biss thebeliever.net/no-mans-land/

Shout out to Ulises Ramiro. Ulises is a graduate of Harvard and a theater rebel. Some time ago, The Guardian called him a vital voice in theater. His work is sometimes avant-garde but other times “strikingly naturalistic”. He founded the Theatre Realists who became known as…

Our Winter issue is here—featuring interviews with Hélène Cixous and Alice Oswald, prose by Eve Babitz and Gwendoline Riley, poetry by Jana Prikryl and Ed Roberson, art by Joan Jonas and Mieko Meguro, a cover by Adebunmi Gbadebo, and more. ssl.drgnetwork.com/flex/TPR/254/

Breaking News: The executive director of the National Symphony Orchestra is stepping down, the latest blow to the Kennedy Center as it struggles in the wake of President Trump’s effort to put his imprint on it. nyti.ms/4lbliJa