On April 30, Aperture celebrates the beginning of construction for their new permanent home on 380 Columbus Avenue. aperture.org/editorial/aper…

From Kimowan Metchewais’s layered images on Indigenous identity to Robert Adams’s meditations on the American West, for Earth Day here are titles that explore the relationship between photography and the natural world. aperture.org/editorial/8-ph…

Announcing the 2024 Aperture Portfolio Prize Shortlist ✨ Here are the five shortlisted artists for Aperture’s annual award, which aims to spotlight new talent in contemporary photography. aperture.org/editorial/anno…

Gerald Annan-Forson portrayed Ghana in the 1970s from an intimate perspective, telling a spectacular story of political and social change. aperture.org/editorial/how-…

In Paris, the Nobel laureate Annie Ernaux’s words are set in dialogue with striking images by artists including Daido Moriyama and Mohamed Bourouissa. aperture.org/editorial/anni…

In 'New Society,' an exhibition at Fondazione Prada in Milan, the artist and filmmaker Miranda July shows her provocative collaborations with strangers. aperture.org/editorial/clos…

Martin Parr has fixed his irreverent gaze on haute couture for nearly thirty years—but don’t call him a fashion photographer. aperture.org/editorial/the-…

For decades, US officials sought to suppress independence movements in Puerto Rico, spying on activists and their families. What do their formerly secret files reveal? aperture.org/editorial/what…

In the 1990s, the photographer Mariko Mori spoofed corporate culture through performances staged in locations around Tokyo. aperture.org/editorial/mari…

Kikuji Kawada’s series “Last Cosmology” (1969–2000) focuses on the relationship between the terrestrial and the cosmic, capturing astronomical phenomena—solar eclipses, dramatic cloud formations, and the cosmos—often above Tokyo.

Read more at: ow.ly/77I850Rayof

Aperture and visionandjustice are launching a landmark book series, conceived by Sarah Elizabeth Lewis and published by Aperture, to present a new history of images, race, and justice in America. Read more via The New York Times nytimes.com/2024/04/04/art…

Congrats to Kathy Ryan on her retirement as director of photography from The New York Times Magazine, after 39 years at the magazine. Aperture has worked with Ryan previously on “The New York Times Magazine Photographs” (2011) and “Office Romance” (2014). nytco.com/press/next-cha…

An exhibition of student photographers conveys the ways in which women harness strength and resilience to challenge societal norms, create change, and break barriers.

See more in “SCAD x Leica: Power in Perspective,” now on view at SCAD: ow.ly/JYaJ50R4qtG

Merging family archives with her own photographs, Naomieh Jovin tells a story about immigration with the lives of women at the center. aperture.org/editorial/naom…

Clifford Prince King speaks with Lyle Ashton Harris about displaying sensual images of Black queer men on bus shelters and newsstands. aperture.org/editorial/clif…

Ibrahim Ahmed’s compositions explore his upbringing across Kuwait, Egypt, and the United States—and the complex power of performance. aperture.org/editorial/a-ph…

Mahtab Hussain’s portraits from Baltimore to Los Angeles reflect the diversity of what it means to be an American Muslim today. aperture.org/editorial/pict…