Artifacts as performance within a set of constraints ⟶ "Instead of specifying a composition from the top down, he created conditions by which interesting sounds could be made in a real-time, bottom-up process" Geeta Dayal re: David Tudor via 4Columns ⟶ 4columns.org/dayal-geeta/re…

When Sun Ra declared "It's after the end of the world," he didn't mean to doomsay, he meant to get us to question worldliness and/whose world this and whose has ended if every attempt at ruin fails to kill the sun, the primordial life force. It was a statement of total optimism.

What would it mean to #design with, for, and amongst #hyperobjects? Re: this article by Morgan Meis for The New Yorker w/ @the_eco_thought ⟶ "Timothy Morton’s Hyper-Pandemic" newyorker.com/culture/person… #pandemic #climate #ecology

Exploring boundaries b/t "chaos and control" (my team) ⟶ "William Jacobson: A Thesis on Generative Written Language" by williamjacobson.se at Royal College of Art via @followrietveld ⟶ itsnicethat.com/articles/willi… from It's Nice That re: #generative #language #typography #design w/ Runway

"What is an image w/ no limits on spatial, temporal, energy, signal/noise or cost resolutions?" ⟶ BLOB of Im/Possible Images newart.city/show/menkman-b… + beyondresolution.info/IM-POSSIBLE-BL… by Rosa Mǝnkmɐn at Arts at CERN commissioned by @HeK_Basel ⟶ New Art City from Rhizome w/ NEW INC

Earlier this/last year, Virgilio Santos @threepress and I wrote & designed what started as a zine, then became a 510 pg book, now on slanted.de/index/ Slanted Publishers ⟶ INDEX—1 'FLAT' explores what we observe as the flattening, flatness, and related qualities of living today

"The history of public #pools in #NewYork traces a reciprocal relationship between architectural invention and policymaking" ⟶ urbanomnibus.net/2021/07/swim-l… + public-pools.com "Swim Lessons" by Karolina Czeczek of only-if.com + YaleArchitecture ⟶ @UrbanOmnibus #urbanism

"As we look ahead to building new institutions, [Annette Michelson’s essay, April 1975] offers a valuable model for how to see the big picture that will ultimately frame any and all of those exhibited inside of it." ⟶ artforum.com/print/197504/b… ⟶ “The #Museum Now” via artforum

“The long-running battle between #civic and #commercial interests for #control of #city streets and their #surfaces” ⟶ placesjournal.org/article/the-st… by — for @placesjournal ⟶ 19th century London to Litfaßsäule to LinkNYC ⟶ subversion via #graffiti and its reappropriation

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We’re proud to partner with CultureHub again this year to support their annual festival, Re-Fest, which brings artists, activists, and technologists together to explore our role in reshaping the future.

Starting today, March 14-25 → Excited to have a new video piece included in this year's CultureHub Re-Fest, amongst over 100 other artists. Details, full schedule → culturehub.org/re-fest-2022 #culturehub #singlechannelvideo #mediaart

Happy to share that my article ‘Center for Archival Interpretation’ featuring research developed during Columbia GSAPP summer workshop ‘Un-Archiving LA’ with Felicity D. Scott and Mark Wasiuta, has been published in UK/Italy magazine NOIA 03 ‘States’ instagram.com/noia.magazine/

Notes on display methods from the 'Journal of Alternative Archives' mentioned in my piece 'Center for Archival Interpretation' in the latest NOIA magazine. ⁠ NOIA Magazine 03 ‘States’⁠ ISSN 3033-5000⁠ Spring 2024⁠ ⁠ instagram.com/noia.magazine/ noiamagazine.myshopify.com/products/noia-…