Check out this article about Netflix's Patriot Act with Hasan Minhaj! AMV Studio 57 is proud to be home for this fantastic show and its amazing production team! avnetwork.com/features/netfl… avnetwork.com/features/netfl…

Whether for COVID-19 social distancing compliance or for minimizing space needed in smaller venues, how can you achieve two fields of view from each camera position? Here’s a demo … allmobilevideo.com/rental/live-cr…

.All Mobile Video taps Grass Valley for the ECLIPSE IP-based production truck; partners Cisco and World Wide Technology comment: #AttitudeEverything wwt.com/news/all-mobil…

We have some very exciting news coming ...

AMV’s client required a hardwired super-slow mo railcam that could travel 130’ quickly and quietly, with the track hidden & housed beneath stage flooring in a narrow tunnel, and the track and all cable management had to be less than 13” in width. AMV had a solution.

AMV's Blackcam B40 railcam. Two fields of view, two depths of field, two frame rates in less than 13" track width.

Two fields of view, two sensor sizes, two depths of field, two frame rates, all from one (Blackcam) railcam, with the track and dolly hidden from view under the stage. sportsvideo.org/2023/04/01/liv…

Two headed Blackcam railcam, with one Sony P43 SSM with a CanonUSA stabilized 2/3" lens, one Sony Professional | US & Canada F55 with a @FUJINONLenses Cabrio 17-120 and a Canon 25-250 PL lens. Another first at the NCAA Men's Basketball Final 4 & championship.

Honored to support Warner Bros. Discovery sports & CBS Sports since 2015 on the NCAA Men's Basketball Final 4 and Championship with a number of basketball railcam firsts. This year the double-headed Blackcam debuts.

Honored to support Warner Bros. Discovery Sports & CBS Sports since 2015 on the NCAA Men's Basketball Final 4 and Championship with a number of railcam firsts. This year the two-headed Blackcam basketball debut.

What is often not seen are the days or weeks of testing that occur in our shop and out on location prior to a live-live production. While best known for our studios and production trucks, testing here is done of a single remote camera’s transmission solution.

In some cases ballroom and concert venue multi-camera shoots call for a production truck. In other cases they call for a carrypack. AMV’s are equally at home in a hotel ballroom as they are on a skyscraper roof, a cruise ship at sea, or a broadcasting from a foreign country.

1999, All Mobile Video puts it brand new fully digital HD production truck Celebrity and edit truck Cinetour on a ship to Trinidad and Tobago for the Miss Universe Pageant!

Macy’s 4th of July Fireworks is in the books. AMV’s Eclipse, fully ST 2110 IP mobile unit was the technical and creative hub, featuring a GV Orbit 1200 source x 2400 SMPTE 2022-7 fully redundant router, K Frame XP/IP switcher, GV LDX150 IP cams and a Studer Vista X 600.

NYLA is an excellent choice for UHD / 3G-HD / 1.5G-HD productions requiring lots of engineering firepower but where an expando truck would not be allowed due to parking limitations. NYLA is not too big, not too small. x.com/inbroadcast/st…

Always upgrading sportsvideo.org/2025/08/12/fir…

For a live award show occurring this weekend our client wanted to do a prism effect, optically, live-live with a Sony HDC4300 broadcast handheld camera and a B4 ENG lens. All Mobile Video sourced four different prism adapters & figured out a mounting solution.

AMV, augmenting tech-facilities and providing skilled crew for one of the most watched Rosh Hashanah live-stream broadcasts originating from one of the most beautiful synagogues in New York.  Shanah tovah umtukah, may you have a good and sweet new year!

Congratulations to NYC’s Mayor's Office of Media and Entertainment staff as well as All Mobile Video’s staff who took home an Emmy last weekend for the New York Liberty WNBA championship celebration last year!

Carnegie Hall, 3AM call time!