Final Day | Whether you're revisiting our Independent 20th Century presentation or browsing for the first time, we invite you to take a final look at our solo show of works by Vincent Smith—on view through 9/30 as part of the fair's free, virtual platform: bit.ly/3UMSFo6

In honor of the final day of #Independent20c's online fair platform, we look back at Vincent Smith's The Village Voice cover. "Smith had little need for exaggeration or hype, finding in the implacable struggle of existence...something vital and beautiful." 🔗 bit.ly/3SLkoE0

October 1, seen through the eyes of Emily Nelligan. Great Cranberry Island, an exhibition of 30 charcoal drawings by the artist, is on view through October 22 at the gallery. Image: 1 Oct 07 (2), 2007, charcoal on paper, 7 1/4 x 10 1/2 inches.

With charcoal, Nelligan conveys a specific mood which would be impossible with paint. The high contrast dreaminess and depth of her landscapes is evocative of Cranberry Island, ME—her sole subject and the focus of our current exhibition, on view at the gallery through Oct 22.

#CharlesDemuth (1883–1935) studied and painted in Philadelphia, NYC, Provincetown, Paris, and Bermuda. However, he created most of his finished artworks in his Lancaster home, where his studio overlooked the garden—a major source of inspiration for the artist.

Our Latest Museum Pick • At the Dawn of a New Age: Early Twentieth-Century American Modernism Whitney Museum America’s early modernists came of age at a time described by Walter Lippmann as having been “bursting with new ideas, new plans, and new hopes.” bit.ly/3CiOecg

Tom Uttech: Headwinds on Windigoostigwan | Opening November 5 #TomUttech depicts the remote wilderness of the Precambrian Shield, which spreads across southern Canada, Minnesota, and Wisconsin. He paints with a magical realist precision echoing the majesty of this landscape

Join us at the gallery on Sunday, November 12, as we celebrate the opening of Tom Uttech's solo exhibition Headwinds on Windigoostigwan, which runs from November 5 to December 22: alexandregallery.com/artists-work/t…

Final Chance to Experience Great Cranberry Island, an exhibition of 30 charcoal drawings by Emily Nelligan, whose drawings reveal the shadowy world of the Maine island that singularly captivated the artist for more than 6 decades. bit.ly/3TI3pTm

"Behind every one of Tom Uttech’s images lies a hard-fought battle to be true to nature . . . and then to reach another plane that communicates his feelings for the great mysteries of the northern wilderness."— Lucy R. Lippard bit.ly/3MT54Du

Today is the final day to view our presentation of 30 charcoal drawings by the Maine artist Emily Nelligan, who, for more than 7 decades, made Cranberry Island the focus of her artistic output. The gallery is open today from 11am to 5pm: bit.ly/3eVjaHT

We are thrilled to present our latest exhibition, #TomUttech: Headwinds on Windigoostigwan. To mark the occasion, we invite you to join us at the gallery for an opening reception with the artist, this Saturday, 3–5pm. Details: bit.ly/3tacIA8

TOMORROW | Join us at the gallery from 3–5pm for the opening reception for Tom Uttech's solo exhibition, Headwinds on Windigoostigwan. On view now, the show runs through December 22. bit.ly/3MT54Du

Natural splendor abounds both outdoors and inside this season as we share with you new paintings by #TomUttech, who draws inspiration for his meticulously detailed canvases from the woods of the Precambrian Shield, a stretch of land across the northern U.S. and South-Eastern CA.

“You might say everything I’ve done since has been based on that Egg-Beater idea,” Davis wrote in 1945, looking back at the subject. In honor of Stuart Davis, who was born December 7 of 1892, we're taking a closer look at the early American modernist's 1923 painting Egg Beater.

Tom Uttech: “In these paintings, I really wanted to try to recreate that sense of oneness and wholeness with where I am.” Stop by the gallery—through December 22—to see the Tom’s show Headwinds on Windigoostigwan, recently named a must-see exhibition by hyperallergic.

Tom Uttech on his northern lights paintings (on view now at Alexandre LES): "Something in life that is that active is always noisy. But [the nothern lights] aren’t. That silence that’s present is really spooky—I think that’s part of the real magic of the lights.”

"They can add an extra element that I like because of the mystery of it—that I feel is always present in the woods. It's not necessarily something that you can see, it's only something that you can feel."—Tom Uttech, whose solo show is on view through 12/22 at our LES space.

Final days of Tom Uttech's solo exhibition Headwinds on Windigoostigwan, on view at our LES space through December 22. The show, which was covered in both Forbes and hyperallergic, includes twenty-one new paintings.

Holiday Reading | Though the gallery is closing for the holidays (from 2pm today through January 3, with public hours resuming January 14), you'll find a bit of the gallery in this month's artforum. bit.ly/3BM5XJv #EmilyNelligan