Demos and plugins from Impulsonic are available here: impulsonic.com/demos/ #audioforgames #aesgames #gameaudio

"Expose every parameter - sound designers will use it": Simon Gumbleton #audioforgames #aesgames #gameaudio

Some great discussion about how best to implement audio within the realms of VR and AR #audioforgames #aesgames

Paper 5: Sensing Motion Through Binaural Simulation - @mattboerum aes.org/e-lib/browse.c… #audioforgames

Simon Goodwin of @DTS on the potential perils of fold-down and how to avoid them #audioforgames #aesgames

Paper 6: Ear shape modeling for improved partial individualization - from @yamahacorpus R&D aes.org/e-lib/browse.c…

Paper7: Feature Based Impact Sound Synthesis of Rigid Bodies- Muhammad Imran aes.org/e-lib/browse.c… #audioforgames

.Syndicate 17 discusses specific audio techniques to advance story and gameplay in augmented games #audioforgames

Paper 8: Modal Synthesis of Weapon Sounds - Dave Moffat aes.org/e-lib/browse.c… #audioforgames

The Web Audio Evaluation Tool, as mentioned by Dave Moffat from C4DM at QMUL code.soundsoftware.ac.uk/projects/webau… #audioforgames

Paper9: Synthesis of Mammalian Vocalization Sounds - Will Wilkinson (C4DM at QMUL) aes.org/e-lib/browse.c… #audioforgames

Live #PureData demo AES Audio for Games by Will from C4DM at QMUL

Live AR demo of "Leviathan: The Evolution of Storytelling" from Syndicate 17! #audioforgames #augmentedreality

Great AES Audio for Games in London! AES Audio for Games #audioforgames #gameaudio

#AES61 Conference Chair Michael Kelly closes the proceedings with a look into an alternate reality.. #audioforgames

That's all folks! Thanks to all the committee, volunteers and sponsors for making #AES61 happen! #audioforgames

The feedback survery for attendees can be found at audioforgames.net/2016/attendee-… DM us for the login details if you've forgotten! #audioforgames

Michael Kelly and his #socksofgameaudio... #audioforgames